Don't get my wrong. I love series--reading them, that is. When the
next Dresden Files or Mercedes Thompson or Toby Daye or Kate Daniels novel is
published I am right there in the bookstore on release day, cash in hand. I
delight in revisiting beloved characters and breathlessly reading about their
latest adventure.
My brain is also quite happy to spawn
series. So far I have two completed series: YA paranormals Dreamfire and Dreamline;
and fantasy romances Gate to Kandrith
and Soul of Kandrith. I also have two
ongoing YA series—Violet Eyes, which
I am working on book four of, and Otherselves,
of which book one will be published by Entangled in Summer 2015 and I’m
drafting book three. Among my unpublished
works are a mostly-completed alternate history trilogy and a paranormal romance
and a fantasy that beg for sequels.
I love series, but writing one is
a pain in the butt.
First there is the time
investment issue. Authors always hope that book one will be wildly popular and the
editor (or fans) will demand a book two. If it is, then you want to be standing
there ready with at least a synopsis for book two and three chapters in hand.
Being unready is NOT a good feeling. True story: in 1999 I received the wonderful
news that Anne Greenberg of Simon & Schuster wanted to publish my novel Violet Eyes and, by the way, could I
write a sequel? The correct answer to this question is pretty much always YES,
but I hesitated and asked for a little time to think about it because writing a
sequel had never crossed my mind. I brainstormed for ideas over the
weekend, said yes, and then found myself
in the awkward position of writing to a deadline for the first time in my life
with a newborn baby in the house. I did it, and I’m glad I did, but yeah. Not
ideal.
However, all too often book one
isn’t wildly popular. If sales are poor, then you may have wasted not only all
the hours spent on book one, but all the hours spent thinking about/writing
sequels, too. And once I’ve shaped an idea, it HURTS not write it. To put it on
the backburner for some day or lock it up in a trunk forever.
Because if you want a career as a
writer, and I do, that means making choices about which stories to invest your
time in and which are throwing good money after bad.
The second problem with writing a
series is the consistency issue. Everything from birthdays to magical rules must be the same for each book. Timelines need to be created and kept straight. Also, few writers can afford to spend years writing and revising
an entire series before shopping it around—we need that paycheque!—which
usually means book one is published before the next ones are written. And once book
one is published certain facts are frozen. Throwaway lines about your world in
book one can come back to haunt you later. (Oh, how I regret when Silver Eyes was published in 2001 giving
Angel a futuristic ‘palmtop’ computer—which acts basically as a smartphone. I
am now stuck with the term and it grows clunkier with every darn book.)
Do you love to read series? What
about writing them?
Oh, those throwaway lines in first books (or sometimes second or third books!) they are EVIL! lol! Great post!
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