Wednesday, November 23, 2016

The Beauty of Deadlines

Posted by: PG Forte
I’m on a really tight deadline right now. By which I mean I’m only two scenes away from finishing the second of three books that I need to be putting to bed before the end of the year.  On this day before Thanksgiving, that’s what I’m most thankful for.

Being on a deadline means I get to tune out the family drama that’s been erupting off and on for most of the year, the political drama—basically everything.  When the going gets tough, the tough...get writing.

Being on deadline means I get to delegate without guilt. To give up control, to stop worrying.  So I have twelve people coming to my house and my dining room table comfortably seats six. What’s the worst that can happen?  Either I end up with a memorable (for all the wrong reasons) holiday, or I end up with a new book. Maybe both? Either way, it’s a risk I’m willing to take.

Deadlines aren’t anything I ever thought I’d be thankful for, but oddly enough, I am.  Here’s an excerpt from the first book in this new series about three cousins who are running a haunted hotel.

On her way back to her room, Gwyn castigated herself for being such an idiot. She should never have spent the night. She should have set her alarm for some ungodly hour and left while they were sleeping, while all her illusions were still intact. Now, she had to navigate her way from one end of the hotel to the other. It was lucky for her she knew all the hidden passageways. The Wild Geese Inn was not her walk of shame.

At least the ghosts seemed to find her predicament entertaining. A murmur of voices flowed around her, coming and going, echoing with amusement. Boards creaked beneath her feet. Lights buzzed noisily above her head. Nails poked out of the wainscoting to catch at her clothes. Time and again, she brushed at cobwebs, only to have them dissipate into nothingness at her touch. But at least she didn’t encounter any stuck doors on her way. And when she arrived at her room, she found the clothes she’d been planning on wearing laid out and ready.

“Thanks, Haunt,” she muttered in grudging appreciation. She was sure Brenda would have questioned whether Gwyn had suspected that she’d be out all night, that she'd hoped for it, wanted it—and had set the clothes out herself last night and then forgotten. Gwyn refused to think about that. 

The hotel ghosts had been her companions since she was a child. They’d been her friends and playmates when the others went home, and she was here by herself. She wasn’t about to start denying their existence now.

She grabbed her things, and ran back down a half flight to the landing, to her private bath, built into what had once been a closet under the stairs. She shed her clothes, turned on the shower, and waited until she was standing under the spray, until the hot water was beating down upon her, before she let her tears fall.

Tuesday, November 22, 2016

I'm Having a Party! Come Celebrate the Release of My 100th Book!

Posted by: Linda Mooney

Today I'm celebrating my 100th book release, Their Battle Lord's Sacrifice, Book 7 of The Battle Lord Saga. Come join me and several of my author friends in this big event! There will be giveaways (including ten $10 Amazon gift cards), games, and lots of fun! International readers and bloggers are welcome!

Time: 6:00 PM to 11:00 PM (All times Eastern)
Location: 
https://www.facebook.com/events/1721341048185615

Attending Authors:
6:00 - Linda Mooney
6:30 - Maggie Mae Gallagher
7:00 - Deborah A, Bailey
7:30 - Veronica Scott
8:00 - Juli D Revezzo
8:30 - Helen Henderson
9:00 - AD Roland
9:30 - Lorrie Panzeri
10:00 - Dani Harper
10:30 - Robin Leigh Anderson

Monday, November 21, 2016

Here Be News

Posted by: Unknown

New Releases

New!

THEIR BATTLE LORD'S SACRIFICE
Book 7 of The Battle Lord Saga

Sci-Fi/Futuristic/Post-Apocalyptic Romance
by Linda Mooney
Word Count: 60K
$3.99 e


Even though the truce between Mutahs and Normals, established by Battle Lord Yulen D’Jacques and his Battle Lady, Atty, is getting stronger and becoming more widespread, there are still divisions. After surviving the trap that had been set for them at Rocky Gorge, Yulen and Atty must return to Alta Novis to see how their people have fared. But after a brief stop in Wallis, they discover the Bloods have infiltrated both Mutah and Normal fortresses, blending in and biding their time until they receive the signal to attack.

Someone is taking control of the surrounding fortresses and using trained Bloods to get what they want, but Yulen will protect his people at all costs. Aware of the Bloods’ deception, the Battle Lord is left with no other choice but to continue on alone. With their newborn daughter still nursing, Atty must stay behind, but when she senses Yulen is in danger, she will stop at nothing to save him.

However, when it comes to his families’ lives being on the line, Yulen will be forced to make the ultimate sacrifice.

Warning! Contains a self-proclaimed deity, torture, coded messages, unorthodox nursing, nine bells, and a parental love that is greater than any other force in this world. 

Excerpt and buy links: http://lindamooney.com/BattleLord.htm

Jeffe Kennedy's THE CROWN OF THE QUEEN will be available as a stand-alone novella on November 22! (You can preorder now at AmazonKobo and Smashwords.) If you already have FOR CROWN AND KINGDOM, this is the exact same novella in that duology with Grace Draven. You can get this one alone for $2.99 or both for $3.99. A deal, either way!! 

If you haven't read it, THE CROWN OF THE QUEEN takes place between THE TALON OF THE HAWK and THE PAGES OF THE MIND. It's told from Dafne's point of view and bridges the events in the aftermath of TALON and sets up her book, which is PAGES.

a novella of the Twelve Kingdoms and the Uncharted Realms 

It’s been a lifetime since librarian Dafne Mailloux saw the coronation of the tyrant who destroyed her family. She did her part to pull him off the High Throne. But his daughter, the would-be Queen, and her sisters must still tame their conquest. If her victory is to last, Dafne must forge peace with the subtle, ruthless methods of a diplomat—and the worst memories of her life . . .



Other News

Demon Hunter, the first book in the paranormal romance series, The Collegium, is free till November 25 (Amazon's timekeeping might mean a few hours delay before it goes free today). Happy Thanksgiving from Jenny Schwartz.

Saturday, November 19, 2016

Guest J M Page Shares Excerpt from BEAUTY AND THE SPACE BEAST SciFi Romance

Posted by: Veronica Scott
Veronica sez: I met Jess in the Science Fiction Romance Brigade and I'm always excited by fairy tales retold in scifi romance terms. Take it away, J. M.!

Jess:

The story:
Beauty 

Mara Duport has always dreamed of home, a place where she belongs. She knows that she has one, but ever since she was a kid, her dad’s been keeping the secret of her origin locked away, refusing to give her any information. 

Dad’s been keeping more than one secret. He’s in debt — a lot of debt — and the ruthless pirates he borrowed the money from are coming to collect. 

The pirate captain is renowned the galaxy over for his brutishness and cruelty — but when Mara sees his stoic face, her heart races, her mouth goes dry… and she offers herself as payment.

Space Beast

Torak of Basniel has a fierce, uncaring, ruthless reputation to live up to. So when a beautiful, innocent woman offers herself up to him on a platter, Torak doesn’t think twice. What does he care about stealing away this man’s precious daughter? 

But Torak gets a more than he’s bargained for. Mara’s more than just innocent — she’s also intelligent, skilled, beautiful — and she can see right through him, past the thorny exterior, down to the heart he thought died long ago. 

Being vulnerable was never part of the plan. Love was never part of the plan.

Torak knows he’s an irredeemable monster, but with Mara he feels different. He sees the opportunity to be more than what’s always been expected.

Mara knows that there’s something beautiful and redeemable inside Torak, and she won’t leave him until he finds it. 

Not until she can tame the beast. 

The Excerpt: 
The massive ship’s shadow grew darker and darker until there was nothing else above them. A port on the underside opened, practically sucking the pod up with it. The pod settled and stilled while Mara’s stomach churned with anxiety and her chest fluttered with a mixture of dread and anticipation. She and her father stared at the door, neither daring to even breathe.

A pneumatic hiss released the door and when it opened, they found themselves surrounded by rough intimidating men, all scowling and brandishing weapons.

“Come,” the one in the middle said.

The men surrounded them completely and ushered them forward, through long winding hallways and up six levels to the flight deck.

Once there, the armed men filtered out, leaving just Mara, her father, and two alien men.

One, standing a little to the back, had skin dark as space itself, with eyes and swirling tattoos in glimmering silver. Long rope-like hair hung down his spine and he towered over everyone else in the room by at least half a foot. Though he was intimidating and made Mara nervous, he was nothing compared to the other man.

Only slightly shorter, but with a broad muscular frame that made him look bigger next to his lithe companion, the other man just oozed authority. He held himself with confidence that Mara envied. He wore simple clothes of high-quality materials — clearly a man of means though not boastful, she noted — and the way his shirt clung to his defined chest made her mouth go dry. With eyes yellow as sulfur and skin the color of cobalt, he didn’t look like anyone Mara had ever known.

Sure, there were millions of species and races throughout the Queen’s Empire, but in all her studies, Mara hadn’t stumbled across any accounts of someone that looked quite like him.

It was something in the way he regarded them both that told Mara he was the man in charge. The silence dragged on and he seemed to enjoy making them squirm with uncertainty.

“Are you prepared to pay your debt?” he finally spoke, his voice guttural and gruff, each word harsh and clipped in his strange accent. Strange, but striking, she thought, her stomach doing a somersault. His voice was a pick and Mara the string; he’d plucked at her and sent vibrations coursing through her in a wholly unnerving manner.

Dad shook his head, his shoulders trembling. “I have no means to pay you. Nothing of value,” he said, biting back another coughing fit, his voice raspy and strained because of it.

Mara watched him try to hold in the coughs, his eyes watering again. Guilt tore through her; her father was panicking and she was admiring the pirate’s physique. What was wrong with her?

“Then you’ll pay off your debt in some other way. My crew is always in need of more laborers.”

Mara sucked in a sharp breath, her hand going to Dad’s shoulder, gripping tight enough to hold him in place. “He’s too old! His health isn’t what it once was. He can’t!”

The blue man looked at her quizzically, but seemed unmoved by her pleas.

“Please,” she begged. “There has to be another way we can pay you.” She was grasping at air now, hoping to come up with something on the fly. If she’d had more time to think about it, maybe she could have come up with a plan. Why had her father kept it from her for so long? Why didn’t he think she could handle these things? It was just like the story of her mother. She was an adult, not a child. She could handle an uncomfortable truth.

But no. He wouldn’t ever confide in her and that left them in this awful position.

“What if I take his place?” she asked in a rush of breath before she could reconsider.

“NO!” Dad shouted, his outburst surprising them all. “You can’t, Mara. He’s dangerous, just look at him.”

Mara didn’t dare tell her father she was looking at him… and admiring him.

“You don’t belong out there. You have to stay home where you’re safe!” he continued.

Mara clenched her teeth, not wanting to get into a heated argument with her father in front of these strangers.

Instead of arguing with him, or explaining how she desperately wanted to leave home and explore the wonders of the galaxy, Mara simply turned back to the Captain and raised an eyebrow. “Well, do you accept my offer or not?”

Buy Link:  Amazon

Author Bio:
 J.M. Page writes timeless fairytales with a sci-fi twist. You can expect sweeping adventures in far-off galaxies, love in unexpected places, and of course a Happily Ever After every time!

Wednesday, November 16, 2016

Guest Bokerah Brumley Shares Excerpt from FEATHER A HOTEL PARANORMAL Story

Posted by: Veronica Scott
Veronica sez: Our guest today has a new paranormal romance! 

Blurb:

Average is for the birds.

And Jane Jones is average in every way. With sixty-seven Jane Joneses on Facebook alone, it’s easy to disappear in Manhattan. So when the universe spins its web of chaos, Jane refuses to interfere. Saving humans is somebody else's job. After all, as a peacock shifter, she's just here for the buffet.

When the local wanna-be-a-hero-priest corners Jane in Central Park to warn her that she’s a hitman's target, she’s convinced he’s lost his mind. But it soon becomes clear that a shadow-villain is out to kill her. Plain Jane has a price on her head. Her only hope for survival is joining the priest's mysterious band of misfits.

When those plans fail, Jane does the most logical thing: she captures the would-be hitman and drags him to The Hotel for the weekend.

In a fancy room with six-hundred-thread count sheets and complimentary champagne, can Jane turn an assassin into an ally?

A Hotel Paranormal story.

The Hotel Paranormal is THE place for supernatural beings looking to get away from it all. Beings like werewolves, vampires, elves, sprites, djinn and more check in from all over the world for business and for pleasure -- and sometimes for both.

Excerpt:

This can’t be good. Apogee had probably gone off to hunt mice down the hall. That meant I was on my own.
The mattress didn’t move; the frame didn’t squeak. It was as though the figure wasn’t even there, an advancing cloud. At the edge of the bed, it stepped down to the floor. The dust didn’t move, and the feet made no sound.
I reared backward, falling on my elbows and scrambling away. I eyed the tiny window. There was no way I could get through that. I’d have to get past the shadow person and break through the glass.
A knock at the door broke my panic. I didn’t have any friends. I didn’t know anybody who would pop in to visit, but a muffled voice called, “Jane? Jane Jones?”
“Come in.” I crouched on the floor, preparing to shift. When the door opened, no matter who it was, I would be gone. That cloud-mutant would have a new target, and I could get away.
The knob jiggled. Force of a century-old habit, I locked the door when I was home, but the deadbolt wouldn’t hold anyone out. I didn’t worry about it. I had nothing, and nobody ever bothered me. There was a stream of curses, and then a crash as the door exploded inward. Jason and Woe stood there, peering into my room.
I didn’t have time to ask them how they knew where I lived or if they knew what that thing was. I jumped up, shifting as I gained altitude. As I flew over the unwelcome visitors, Woe shook her head, reaching for me. I leaned away from her, but I felt a tug as her fingers grazed my tail feathers. Once through the door, my wings barely fit in the stairwell; the tips touched the walls, throwing me off-balance until I tumbled end-over-end down the darkened stairs.
I made the only sound a peacock could.
I screamed. Like the dying woman I was about to be. 


Updated Author Bio:

Bokerah Brumley is a speculative fiction writer making stuff up on a trampoline in West Texas. When she's not playing with the quirky characters in her head, she's addicted to Twitter pitch events, writing contests, and social media, in general. She lives on ten permaculture acres with five home-educated children and one husband. In her imaginary spare time, she also serves as the blue-haired President of the Cisco Writers Club. 


Her work can be found in Havok Magazine (July issue), Southern Writers Magazine (Summer 2016 issue), The Stars at My Door (April Moon Books), A Fellowship of Fantasy Anthology: Fantastic Creatures, and two more upcoming anthologies. 


She was awarded First Place in the FenCon Short Story Contest, Third Place in the Southern Writers Magazine Short Story Contest, and Fifth Place in the Children's/Young Adult category for the 85th Annual Writer's Digest Writing Competition. More recently, she was selected as a 2016 Pitch Slam! finalist. 

FEATHER Buy Links:




Tuesday, November 15, 2016

Sex, drugs, and fantasy – The Victorian obsession with FAERIES

Posted by: Dani Harper, Author

"Lily Fairy" 1888 by
Luis Ricardo Falero
[Public domain],
via Wikimedia Commons
We’ve been Disneyized almost from birth to think of faeries as pretty little beings with gossamer wings. They live among flowers, drink dew, and leave a trail of magical dust wherever they go. But it’s not really Mickey’s fault.

Blame it on the Victorians.

During the nineteenth century, there was an enormous revival of interest in faeries. They appeared in abundance in Victorian art and literature. But not as they once were! The faeries of legend were powerful. They almost never had wings—they didn’t need them. Beauty? The terms faery, fairy, and fae cover an enormous variety of creatures throughout the UK and Europe. Tall and short, exquisite and repulsive, dark and light, hunched and scrabbling, gigantic and toothy, two-legged and four-legged... Some fae beings, like the Pooka, changed shape so often that their true form can’t be agreed on. Whatever their appearance, most faeries were amoral creatures, recognizing neither right nor wrong according to petty human standards. Yet they often abided by ancient laws that were a mystery to mortals.   

One thing above all:  faeries were not to be trifled with!

But trifle with them is exactly what the Victorians did. First, they recreated faeries to be pretty, sweet-natured, and innocent. They gave them wings—but diminished them in stature. Cute was name of the game. Like Beanie Babies and Pokémon, faeries became a highly fashionable obsession and a cultural phenomenon. But why? Nineteenth century society was extremely uptight about a lot of things – science, technology, and progress in general. Class distinctions and proper etiquette. Oh, and sex. The Victorians were synonymous with sexual repression.

Illustrations from "The Water-Babies - A Fairy Tale for a Land-Baby" by Charles Kingsley, illustrated by Warwick Goble [Public domain], via Wikimedia Commons
Enter the magical and sensual world of the faery. A perfect fantasy, one which was socially acceptable to indulge in. Certainly no one questioned the art of the period, where faeries might appear wholly or partly naked… It’s rumored that Lewis Carroll, author of Alice in Wonderland, counted 165 or so nude faeries in the 1849 painting "The Quarrel of Oberon and Titania" by Sir Joseph Noel Paton (a portion of which appears below).


"Study for The Quarrel of Oberon and Titania" By Joseph Noel Paton - Unknown, Public Domain, https://commons.wikimedia.org/w/index.php?curid=111976

"Come Fairies, take me out of this dull world, for I would ride with you upon the wind and dance upon the mountains like a flame!” ~ William Butler Yeats

Hand in hand with this delightsome escapism was a renewed fascination with the paranormal. In addition to experimenting with the supernatural through spirit rappings, table tipping, and séances, many notable people argued for the reality of faeries on scientific grounds. One of the top proponents of their existence was Sir Arthur Conan Doyle, author and creator of Sherlock Holmes. 

It is also a fact that Arthur’s father, Charles Doyle, firmly believed in faeries, and produced many paintings of them throughout his life. He was just one of countless artists who based their entire careers on producing fanciful artwork of the faery realm. More than a few of these paintings, however, were known to have been produced under the influence of drugs. In Victorian England, laudanum, cocaine, morphine, opium and many other mind-altering substances were readily available, and famous faery artists such as John Anster Fitzgerald and Richard Dadd experimented with drugs freely, citing them as sources of inspiration. 


"The Stuff that Dreams are made of" By John Anster Fitzgerald, 1858 - http://art-magique.blogspot.com/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=20746146

Perhaps that’s why some of the major faery works included not only the beautiful but the ugly. Demonic-looking creatures appeared side by side with lovely and innocent sprites. Grotesque beings interacted with sublime. It’s no surprise that a number of famous faery artists (including Charles Doyle) ended up in asylums for the rest of their lives.

Or perhaps it was just a little revenge exacted by the real faeries…


>>>>><<<<< 

Hi, I’m Dani Harper, and I bring ancient faery legends to modern-day America with my Grim Series.  Storm Warrior, Storm Bound, and Storm Warned are available on Amazon.  Watch for Book 4, Storm Crossed, in 2017.  Check out all my novels on my Amazon Author Page, or go to my website at http://www.daniharper.com

The Grim Series by Dani Harper

DON'T FORGET TO ENTER THE GIVEAWAY!


Leave a comment below telling me what you’re reading right now! 

(Psst - I'm reading "Shadowed Souls", a dark anthology featuring Jim Butcher, Seanan McGuire, Kevin J. Anderson, etc.)

Open until midnight Eastern time on November 22, 2016. I'll draw a winner at random, and announce it right here in the comments the following day. 

Giveaway is READER’S CHOICE of any published book in my Grim Series, in paperback or MP3-CD audiobook. 

Prize will be delivered by Amazon. Open to US, UK, or Canada.

Monday, November 14, 2016

Here Be News

Posted by: Unknown

Other News:

Veronica Scott's Dancer of the Nile, a tale of romance, adventure and fantasy in ancient Egypt, is currently FREE at all major eBook retailers and reached #8 in Amazon Kindle Free books over the weekend!


And it's last day to get Test Drive FREE, these other contemporary romances and the McCauley Brothers on sale.







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