Tuesday, August 13, 2013

Magic, Intrigue and Paranormal Romance in Ancient Egypt

Posted by: Veronica Scott
I'm really excited about my upcoming new release from Carina Press - WARRIOR OF THE NILE, set in 1550 BCE. This is my second novel in the Gods of Egypt paranormal romance series, and is available for preorder at Amazon now. The ebook will be released on September 16th and here's the story:

Lady Tiya is bound to the service of the goddess Nephthys, who plans to sacrifice Tiya’s body to protect Egypt from an ancient terror. She embarks to meet her grim fate alone but for the hardened warrior Khenet, who is fated to die at her side. Tiya’s dreams of love and family now seem impossible, and Khenet, who is the last of his line, knows his culture will die with him. Struggling with the high cost of Nephthys’s demands, both resolve to remain loyal.
Neither expects the passion that flowers when Tiya’s quiet courage and ethereal beauty meet Khenet’s firm strength and resolve. On a boat down the Nile, their two lonely souls find in each other a reason to live. But time is short and trust elusive.
Without the willing sacrifice of Tiya and Khenet, a great evil will return to Egypt. How could the gods demand their deaths when they’ve only just begun to live?
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The book is set in the same time time frame as last year's PRIESTESS OF THE NILE, but the two books are standalone stories. I also have DANCER OF THE NILE coming in October, which is another adventure about the involvement of the Egyptian gods in the problems facing Pharaoh and his people.
Here's an excerpt from Chapter One to tempt you:
Khenet waited in Pharaoh’s private chambers eyeing the gilded chairs close by, pulled up to Pharaoh’s ebony table, but no one, not even him, would dare sit without the ruler’s express permission.
His head ached dully from the oppressive weather cursing the city. Unseasonal thunderstorms rumbling all night long had made sleep virtually impossible. And I had that damn dream again. Rubbing his forehead, he sighed. Talk about bad omens. The palace summons had come to the barracks that morning before he had even had time for breakfast. His stomach growled at him and he stiffened his spine. Whatever Pharaoh Nat-re-akhte needed him for, he was ready.  Too much leisure between battles wore on his nerves. 
            The door flew open and Pharaoh strode into the room, approaching Khenet. The ruler’s face was more care worn than it had been a year ago, a few gray strands prematurely darkening his short black hair, but the unusual green eyes were bright and sparkling as always. “My brother, it’s been too long since we spent time together.” They clasped arms, leaning in for a quick hug.
            “Not since we harried those Hyksos raiders from the neighboring province,” Khenet said, stepping back, eyeing the physical changes in Pharaoh’s appearance. The cares of ruling Egypt are starting to weigh on him, clearly.
Pharaoh picked a handful of dates from a golden platter and sank into his favorite lion-footed, ebony chair. Propping his bare feet on an ivory stool, he gestured at the ample spread of food on the table. “Will you have anything? Wine or beer, perhaps?”
            “Early for beer, my lord.” Reaching for a meat roll, Khenet shook his head.
            Pharaoh poured himself a goblet full and, perhaps sensing Khenet’s disapproval said, “Trust me, it’s necessary today. Sit.”
            Khenet glanced at the closed door across from him. Unusual informality, given that he sent for me. This is no casual chat.
            “We won’t be disturbed, don’t worry. But we also don’t have much time.” Having made the declaration, Pharaoh fell silent. As he sipped at the beer he frowned, as if the taste failed to please him. Sighing, he rubbed his forehead with one hand.
            One did not speak unless spoken to in the presence of the Living God, but everything else had been unusual today. Khenet and his pharaoh did not stand on much ceremony when they were alone. Time to find out what’s going on. “Your family is well?”
            “Fine. The queen and my boy are healthy, praise the gods.”  Pharaoh set the goblet down with a thump, splashing beer on the table, and leaned forward, green eyes narrowed. “I need a personal favor. A dangerous, complicated task lies before me and only the right man can carry it out.”
            Action at last. Khenet straightened. “My brother has but to name the thing, and I will undertake it.”
            Pharaoh shook his head, holding up one hand to forestall him. “Not so fast, I’m seeking a volunteer, not giving orders today. The fact that I’ve started my quest with you doesn’t mean you are required to accept the task. I had the Chief Scribe summon two other candidates, should you choose to pass on the assignment, but I won’t lie – you’re my first choice.” The monarch waited until Khenet nodded, then leaned forward over the table, lowering his voice. “What we speak of must not go beyond these walls because the Great Ones are involved.”
            A rush of adrenalin coursed through Khenet’s body and set his heart to racing. Becoming involved in anything directly related to the gods daunted even him. Pulling the nearest chair closer, he sat opposite Pharaoh then reached for the beer, suddenly needing a drink himself. “I give you my oath. No one’s hearing a word from me.”
            Nodding, Pharaoh took another long pull from his mug. “Let me set out the terms of the mission. The goddess Nephthys wants a woman escorted south to the Viper Nome, to marry the provincial ruler, Smenkhotep. The journey is to be by boat and chariot. I’m to supply a single bodyguard. No other soldiers, no retainers. Nephthys decrees that the man must be from my personal guard, must be someone close to me.”
            Considering the information, Khenet raised his mug and took a long drink. Odd indeed, from many aspects. He swallowed. “The Nome is not loyal to you. Yet you will do the Nomarch honor by sending him a bride?”
            Pharaoh grunted and toyed with a knife on the table, spinning it in lazy circles. “From what the goddess Nephthys told me last night, the Nomarch is as treacherous as the snakes which give his province its name. He worships the god of our enemies, Balal, and seeks to provide our foes a new foothold in Egypt. Apparently when the Usurper occupied my throne, she struck a deal with Smenkhotep, to send him a girl from one of the ancient Houses of Egypt, to help him somehow. I overthrew her before this wedding plan could go forward so no candidate was ever identified.”
            “And why is this issue arising now? The Usurper is dead. You’ve been on the throne for a year.”
            “According to the goddess, Smenkhotep practices black magic so powerful even the Great Ones can’t enter his realm. His plans are reaching some kind of climax and he still wants a Theban noblewoman of one particular lineage to marry. Nephthys intends to take over this girl’s body at the right moment and cross the border in secret, in human form.” Pharaoh frowned, his worry clear as he raked a hand through his hair.
            Khenet was shocked at the very notion of a goddess taking the body of even a willing priestess. Poor girl, loss of a home for one’s soul is worse than death. “To what purpose?”
            “It’s part of a larger plan ending in the Nomarch’s death…and the girl’s.” Staring across the table at Khenet, Pharaoh lifted the dagger and pointed the blade at him. “And the death of my envoy as well.” 

Monday, August 12, 2013

Here Be News

Posted by: Unknown
New Releases

Jeffe Kennedy’s story, Negotiation, is out in the Thunder on the Battlefield: Sorcery anthology, up at Amazon here http://tinyurl.com/l9nbcn5.

Negotiation  is a prequel short story to Kennedy’s trilogy The Twelve Kingdoms, coming from Kensington in 2014.

Group Announcements

In a life of impossible choices when sometimes death magic is the lesser of the evils, can a dark mage save the world and his own soul?

Help this urban fantasy become a reality!  Author Shawna Reppert is going indie with her next book, Ravensblood, a compelling urban fantasy set in the Pacific Northwest, and is running a Kickstarter to raise funds for a copy editor.

Sample chapters here:

http://www.shawna-reppert.com/ravensblood-coming-soon/


Links of Interest

Some important things to consider: 7 Deadly Sins of Worldbuilding

Loki won't be in the next Avengers movie, but the new trailer from Thor: The Dark World will help you get over the disappointment.

Moleskin has limited edition Hobbit notebooks! They're already out of some designs/colors.

Looking forward to Fall TV? I am! ‘Once Upon a Time in Wonderland’ creators say season 1 is ‘much like a movie’

Sunday, August 11, 2013

Quest for the Perfect Ending Line

Posted by: Nicole Luiken


For tomorrow is another day.  Is there anyone out there who doesn't recognize the last line to Gone With the Wind?

The ending line of a novel doesn’t need to be as perfect as the first line, the hook.  As long as the ending satisfactorily ties up the book’s plot, or in the case of a series, at least leaves the characters with some breathing space, most readers will be happy. Nevertheless, the perfect ending line is like not only wrapping the plot up neatly, but tying it with a pretty bow.  And who doesn’t like a pretty bow?

I love ending lines that refer back to the very first sentence of the novel.  Or ones that are an in-joke between the two main characters.  They make me sigh with happiness.

Two Stephen King ending lines positively haunt me.  The first is from one of his Bachman books, The Long Walk: “And when the hand reached his shoulder again, he somehow found the strength to run.”  And from The Green Mile, “…sometimes, oh God, the Green Mile is so long.”  If you haven’t read the books, the lines will mean nothing, but if you have… shiver.

Robert Jordan’s epic fantasy series The Wheel of Time, always started chapter one the same way, describing a wind blowing and then “...it wasn’t the beginning, but it is a beginning.” Long before the final volume, A Memory of Light, released my husband correctly predicted it would end with the line “...it wasn’t the ending, but it was an ending.”  Really, no other last line was possible.

I recently spent considerable time trying to craft the perfect ending line for my YA book, Angel Eyes.  I love the ending lines for books one and two in the series and I wanted the third book’s ending line to have the same oomph:


We would rather be your friends than your enemies. Don’t start a war you can’t win.  Violet Eyes.

More than anything, I wanted to learn to trust again. Silver Eyes.

The ending I eventually went with for Angel Eyes is… satisfactory, but not perfect. Sigh.

 Unstoppable. Michelangelo. Angel Eyes.

And now I’m getting close to the final chapter of a paranormal romance I’m working on, Where Lost Things Go, and I know I’ll soon be slaving over that ending line again.

What are some of your favourite or especially memorable ending lines of novels?
 

Wednesday, August 7, 2013

Steam-What?

Posted by: Seleste deLaney/Julie Particka

People often ask me what makes a book steampunk.

There are so many possible answers for that, I rarely know where to start. So let me try to break it down for the uninitiated... 

1) Power is steam-generated. But within that, there can be seriously advanced technology. (This is usually a requirement for steampunk. Otherwise where does the steam part come from?)

2) Scientists. They can be good. They can be evil. But there is usually at least one in there somewhere--often an inventor or researcher. (These are the people who are trying to change the world. They tend to think they're doing the right thing--regardless of which side they're on.)

3) Gadgets. This goes with the above. There are gizmos in steampunk. Things that we don't use in our every day world. Rayguns. Monocular. All manner of clockworks--both intelligent and not. (They are shiny. People like shiny things. Thus...gadgets. Pretty much if you can imagine it, you can probably squeeze it in there.)

4) Airships. These might not be strictly necessary for steampunk, but damn they're pretty. With the world running on steam, there aren't planes like we're used to. And as good as trains and boats are, they're not quite the same. 

5) Victorian sensibilities...or not. More often as not, there's an alternate history aspect to steampunk, so it can go either way. However, there's usually at least a nod from someone about what is proper and acting like a lady. (I tend to go for the Miranda Lambert variation of being a lady. All it requires is "hiding your crazy"--most of my characters are good at that. And the others couldn't give a hoot about propriety.)

6) Brass. Actually a lot of metals, but brass is a big one. Remember the shiny things from above? Yeah. That. On repeat. 

7) The look. Goes with the brass and the shiny. Steampunk in a lot of ways is about dichotomy. Think HG Wells' Time Machine. On the surface, things are all shiny and pristine, but underneath there's a darker, grimy, gritty layer. 

8) The clothes. Oh my, the clothes. It's like Madonna meets Queen Victoria. Undergarments become overgarments, and your bustle skirt doesn't have to cover your knees much less your ankles...but it can if you want it to. There's leather and lace and silk and freaking burlap! It's like the gadget thing taken to an extreme--if you can imagine the clothes, someone, somewhere in steampunk would probably wear it. (And the brown thing is a myth. It's common in steampunk cosplay because of the whole brass thing, but it became common because most early photography has a sepia tone to it that made everything look brown. Don't be afraid of color.)


9) The punk. Steampunk is very political in nature. It's stories that take an issue and drag it kicking and screaming into the light to be dissected. It's subversive and awesome.

10) The people. Because of all the above, steampunk characters don't have to fit a standard mold. Your heroes don't have to be alphas (especially if your heroine is). None of your women have to be meek, mild, damsels-in-distress. All of them can be more than what their situations would dictate in reality. Make them bold. 

So yeah. There's my short brush up on what makes something steampunk. Does it have to be all those things? Nah. Can there be magic? Sure! But for myself, I see that list as a pretty solid place to start. 

What about you? What do you think when you hear "steampunk?"

Tuesday, August 6, 2013

How Big is Your Umbrella?

Posted by: PG Forte
Steampunk is big. And by that I don’t just mean it's popular or hot or trending (or any of the other things we sometimes mean when we use that term). I mean it’s broad, kind of like the umbrella in that picture over there. It's big enough to cover a lot of territory.

Sure, it may have started out as a literary sub-genre of Science Fiction, but it’s a sub-genre with legs! Mechanical legs, I imagine, but that’s entirely beside the point. But it's grown up a little in the last few decades and, by now, I believe a compelling argument could be made that Steampunk is a genre in its own right—with its own offspring of sorts. Author Suzanne Lazear has even compiled an interesting list of some of the many different punk sub-genres that have sprouted from Steampunk’s roots. 

But is Steampunk merely a literary genre? Steampunk.com, in their post discussing what—exactly—steampunk is concludes that it’s not. According to them, “steampunk is a genre AND a design aesthetic AND a philosophy.”

It’s a valid conclusion, I think. All that historical re-imagining has a distinct political/philosophical slant to it. And beyond that, there is steampunk art and steampunk jewelry and steampunk music  there are gadgets and gizmos galore…why, yes, that was a tip of the top hat to Disney's Little Mermaid even if it is one of the least steampunky of all their films…well, that and Pochahantas, I guess. Although, come to think of it, Ursula is a very fine representation of a kraken.  Hmm.

But I digress…

There is also steampunk couture, of course. And I might be wrong but I think it’s probably the only literary genre to have sparked its own style of fashion, unless you count the science-fiction inspired fashions of the early 60s  and late 70s, which I’m not sure you can.  

Anyway, my point is this: since Steampunk is such a big umbrella, capable of covering so many disparate forms of creativity and thought, so many varied sub-genres of its own, you wouldn’t think it would have such a hard time playing well with other genres.

Of course I’m thinking of Romance here (well, someone has to!). Because while Steampunk Romance might seem like a happy marriage of true minds, so to speak, it generally tends to be more of a Capulet-and-Montague type merger: a perfect fit for those involved with creating it, a good excuse for a knife fight to everyone outside.

It saddens me. Why shouldn’t Romance heroines get to dress in leather corsets? I mean, they already do, in some sub-genres, obviously. Is it that Steampunk corsets are brown instead of black? And why shouldn’t  heroes who pilot airships, or dream up fantastic inventions, or travel though time fall in love?

I know, I know they do all these things already and very happily on their own, but why shouldn’t they do them together? And why can’t they have steamy-hot sex in the process—without anyone pointing fingers or calling names?  

I guess the truth is there is still a lot of Science Fiction in Steampunk and as the recent dust-up with the SFWA  has made perfectly clear, SF is still, in many ways, an Old Boys Club. While writing Romance…well, if I may be allowed another pun (I know I’ve probably bagged my limit of those by now!) that’s still largely women’s work, for the most part, isn’t it?


Perhaps the title I should have chosen for this post is: Can’t we all just get along? The way I see it, it’s a big enough umbrella and (with apologies to The Police) no one really needs to end up getting wet.

Monday, August 5, 2013

Here Be News

Posted by: Angela Campbell
Here Be Magic Group Announcements



It's Steampunk Week at Here Be Magic Aug. 6-9. Check back starting tomorrow for posts from authors PG Forte, Seleste DeLaney, Cindy Spencer Pape.

David Bridger has contracted with Taliesin Publishing to publish his YA futuristic steampunk novel A Flight of Thieves. Congrats, David!

Cindy Spencer Pape's Mr. November, an erotic contemporary romance, will be part of Decadent Publishing’s Calendar Men series in 2014. Yes, there will be a calendar available, featuring all 12 hunky heroes!

Can a dark mage save the world and his own soul? You can help! Fund author Shawna Reppert’s kickstarter campaign to publish her urban fantasy series.

Author Angela Highland has pledged to dye her hair if she sells 300 copies of Fairie Blood by the end of August. She's only 35 sales away from having anime hair, people! Plus, she might video it, and oh yeah, she's giving away stuff too.


Links of interest:

And the new Doctor is…Peter Capaldi! The 12th actor to wield the sonic screwdriver and drive the time-traveling police box known as the TARDIS was announced by the BBC yesterday. Doctor Who fans, speak up. Are you happy or unhappy with the choice?

Did you know August is Read a Romance Month? Lots of great PNR authors, such as Joyce Lamb and Nalini Singh, are blogging at the official Read a Romance Month website throughout the month.

Art Bell, former host of Coast to Coast AM which delves into topics of the paranormal and controversial science, will return to the microphone on Sept. 16 with a new nighttime show on Sirius XM Radio.

The first book in the YA urban fantasy book series “The Mortal Instruments” hits the big screen Aug. 21. This article examines its journey from book to film.

What We Learned About 'The Hobbit' From Peter Jackson's Facebook. Love that Mr. Smudge!

Going to Dragoncon Aug.29 - Sept. 2 in Atlanta? Sherrilyn Kenyon's launch party for Styxx, the latest book in her Dark Hunters series, will be held Thursday night (6 days before the book releases!) at the Marriott Marquis.

Marvel's Agents Of S.H.I.E.L.D.: 5 Things We Learned About Joss Whedon's New Series For ABC

Friday, August 2, 2013

Can you hear me now?

Posted by: Unknown

So, that last novel you enjoyed - what did the characters sound like?

No, really - sit back and think about them for a moment. I don’t mean what did the author say they sounded like, i.e. the descriptions of the person’s pitch, tone or some special quality that made them stand out. What did the characters sound like to you?

Did you go by what the author said, imagining every defined nuance? Or did you defy the written word, and throw on a voice you preferred, instead - maybe a brogue, or some New York swagger? Did the characters default to stereotypical voices according to their assigned roles, heritage, or attitudes? Or maybe your favorite actors unwittingly stepped in to narrate your tale?

Speaking of narrators (huh! Ok, that was a horrible pun and segue), maybe you prefer audio books to print. Do you mentally assign a new voice to each character as they’re read, or do you allow the voice actor to do the lion’s share of the imaginative work? Do you find it hard to find a unique voice for each character once you’ve listened to the actor’s choice of accent, dialect or inflection?

Writers - how often do the voices of your characters shift while you're writing a book (if at all)? Would you be able to pick your characters out of a crowd if all you had to go on was a phrase, a shout, or a random musing? Have you ever disliked a character’s voice (and what happened when you tried to change it)? And if someone other than you recorded the audio book version of your novel, how did you feel about the choices the actor made for your characters? Would you have made different choices, had you been behind the mic?

Do tell!
 
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Natasha is the author of the Lost Souls Series - available at Carina Press, Amazon, Barnes & Noble, Kobo, iTunes and Audible.

She tweets about her writing and related interests at http://twitter.com/natgreyangel, posts occasional videos at http://youtube.com/user/natashagreyangel, blogs at http://natashahoar.wordpress.com and last, but not least, can be found on Facebook at http://www.facebook.com/AuthorNatashaHoar.
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