Not a Room of My Own
One of the things non-writers (and
some beginning writers) often ask me is if I have a special place/time/set of
conditions that I need to write. My standard answer” I can’t afford to be that
precious. When you working full-time, overtime, sometimes two jobs at a time,
you learn to write where and when you can. Kids at the coffee shop getting
loud? Ignore it and keep going. (OK, glare first, then ignore it and keep
going.) There’s a ping pong table in the lunch room at work. I’ve learned to
toss back stray balls and barely break rhythm.
That said, I do have some preferred
spots to work. Sometimes I need a ‘vacation’, usually defined as going
someplace else to write. I really like windows with views of nature—trees
especially, but oceans and rivers are also good. This is complicated by that
the fact that the glare of natural light often makes it difficult to see the
computer screen. This leads to all sorts of strange shifting of angles of
chair, table and laptop as I try to ensure that I can see both the computer
screen and my beloved trees.
One of my favorite writing ‘time-out’
locations surprises people who don’t know me well. I love to take my laptop to
Irish traditional music sessions. A session, for the uninitiated, is an
informal gathering of musicians to play tunes (and often share tunes and learn
new ones.) There are many types of sessions with many different levels of
players, each with their own unwritten rules of etiquette. Some are in private
homes, but more often they take place in bars and pubs (or, as I prefer to
think of them, music venues that conveniently serve food and hard cider.) Far
from the music distracting me, I find it helps me focus. Irish tunes are often
played at a fast tempo, and my typing speed picks up to match. I’m a versatile
writer; I type equally well in jig-time, reel-time, or waltz-time.
Sessions, for me, also serve the same
purpose as write-ins. There’s a nice little social-time before and after to
help ease that writerly social isolation, and then my musician friends settle
down to their business and I settle down to mine. I’ve become such a fixture at the Westside
Irish Session that the fiddler introduces me to new musicians as ‘our author’,
as though every session has a writer in among the fiddlers, guitarists, and
bodhran players. (I sometimes tell people that I play the ‘silent keyboard’.
For some reason, Irish traditional
music, above all other genres, seems to make my creativity flow. Even though I am a planner, not a pantser, my characters and scenes often go in
surprising new directions or find new depths when I write at sessions. In fact,
I distinctly remember a formal harp concert in a concert hall where it took
every ounce of self-control not to pull my laptop out from under my seat and
start writing the idea I’d just had for the next Ravensblood novel.
And just on the way to tonight’s
session, I told the fiddler giving me a ride that I had this blog due and I had
no idea what to write. She said ‘alcohol, music, and desperation will get you
there.’ And here we are.
Shawna is an award-winning author of fantasy and steampunk. You can find her works on Amazon .
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