Thursday, May 9, 2013

Fantasy Week - Enriching the Scene

Posted by: Nicole Luiken
When I read fantasy I want to be immersed in a new world, one that may resemble our own slightly, but that the existence of magic has made fundamentally different. One of the things I look for in fantasy is the depth and richness of the world and I strive for the same in my own writing. Writers call this world-building, and it is more than a history. It is clothing, food, architecture, language, culture and customs, often for several different peoples or races. It is geography and biology, flora and fauna, climate and a dozen other things.

Some writers spend months inventing hundreds of years worth of history for their worlds before they set pen to paper. I don't (okay, can't) work this way. World-building is something that I layer into my story, adding details and building up through successive drafts.

Here is an example of an early draft of a scene from chapter one of Gate to Kandrith:
EARLY DRAFT:

The uncobbled side street she was running down was almost pitch-black with only the moonlight gleam of puddles to guide her.  Her slippered foot slid and the skirts of her gown trailed in muck, becoming sodden and chilly.  They clung to her legs, slowing her progress. 
She started to edge backwards, farther away from Claude and his servants.  A sanguon ran up holding a lamp, panting.  "Here, milord."
"Don't wave it in my face," Claude said irritably.  "Go look for her."
How many others were there in the dark, searching for her?  Sara struggled to remember how many had ridden with the coach.  The driver, Claude's bodyservant and one or two guards.
The lamp was easy enough to avoid.  Sara backed steadily away from the splash of yellow light and listened hard.  Another curse from Claude as he stepped in something unpleasant and over there a small splash, someone moving through a puddle.
I liked the scene, but felt the setting was too generic. It could have been any muddy alley in any fantasy city or even a historical novel. I wanted to show that my world was different and new and interesting. More subtly, I wanted to show that my main character grew up in a different culture and has been shaped by her beliefs.
NEW VERSION

Sara ran, guided only by the moonlight gleam of puddles.  The skirts of her gown trailed in muck.  The sodden material clung to her legs. 
"Sara!"
Sara tried to speed up, but her foot slipped in the mud.  She found herself slowing, her drugged body unwilling to run any farther.  The jazoria inside her whispered to stop, wait, let herself be caught.  Let Claude take her.  Anything to make the horrible, clawing need go away.
No.  She would not give in.
Sara looked around, trying to get her bearings in the dark.  Which way lay safety?  She moved farther away from Claude and stumbled upon a raised path. 
"Lady, it isn't safe, not here."  Claude's slave, Gelban, spoke this time.  "Do you know whose temple you're at?"
Temple?  Most temples were scrubbed free of mud by diligent dedicants.  Only one--
"I don't want to say His name, Lady," Gelban said.
Vez, God of Malice.  She'd entered His temple.  Sara's heart jumped as her memory supplied an image of temple courtyard full of black mud with Vez's statuary facial features rising up out of them.  She must be walking on the obscenely long, lolling tongue, about to pass through Vez's mouth into the courtyard.  Although Vez's assassin-priests had been outlawed over one hundred years ago and his worshippers driven into hiding, no one had dared pull down the God of Malice's temple.
"You don't know who might be out here in the dark," Gelban said.  "Please, come back to the carriage."
Sara tried to think.  Was Gelban right?  The dark seemed suddenly malevolent.  All types of scum were rumoured to come out at night to search the mud for the gold coins thrown by those buying a curse.  She could end up with her throat slit or sold into slavery.  In comparison, the early wedding night Claude wanted was nothing.
"Where is the little twotch?  We've lost her."  Claude swore with surprising viciousness. 
Her determination to escape Claude hardened. Ducking her head to avoid the sharp statuary teeth, Sara entered the mouth and the Temple of Vez.
Inside, her foot came down in ankle-deep muck.  The mud in the courtyard was said to be studded with sharpened stakes.  Vez only wanted worshippers who hated enough to be careless of losing a little blood.  And if they died later... the God of Malice played no favourites.


Not only is the second version considerably more creepy, but changing the setting from an anonymous alley to the Temple of Vez gave me a chance to salt little chunks of world-building into the action like diced potato in a stew. If you try to shove a whole potato’s worth of information or backstory down your reader’s throat in one lump, they may choke on it.

Similarly, the world-building needs to be integrated into the scene: my character has a reason to be thinking about something that everyone in her world grew up knowing. Nor is the information included here a mere footnote: Vez is the force behind my villain and important to the story. Going off on a tangent about history or architecture is as off-putting as adding sugar to your stew.

What are your favourite fantasy worlds?

Wednesday, May 8, 2013

Braving the Fantasy Debates - Not Only Epic, but Romantic

Posted by: Jeffe Kennedy
My world seems full of fantasy discussions and parsings lately. Like Jane Kindred, who posted yesterday, I was also at the RT Convention last week. Unlike her, I feel right at home among the romance authors - much more so than at World Fantasy Con last fall, which I also attended along with Jane.

(Is she stalking me or am I stalking HER? Hmmm...)

A popular tail-sniffing question at all of these conferences is "What do you write?" This is largely in lieu of the real question, which is more along the lines of "Are you a successful writer I should be interested in talking to and should I know who you are?" My answer has always been complicated, but for now I reel off "fantasy, fantasy romance and erotic contemporary romance."

People nod at this, sometimes looking a bit glazed over. It's really not kosher to reply with more than one genre, but sue me - I've always been an eclectic kind of gal and I'm used to getting funny looks.

The thing is, to me, it all feels more or less like the same thing. Or, at least, like a continuum. The erotic contemporary romances of my Facets of Passion series have no magic per se, but I write post-apocalyptic ones (Blood Currency) that feel much the same, only in a more broken world. I'm working on edits for MASTER OF THE OPERA, a modern retelling of Phantom of the Opera, which is contemporary, erotic and also full of magical realism. The Covenant of Thorns books are about a modern woman - a scientist - trapped in Faerie. When I was shopping it (before I knew better), I called it "an urban fantasy that takes place in a non-urban landscape."

You all should have just SEEN the way the agents' eyes would roll back in their heads when I said that. One might have frothed at the mouth a little bit.

Even my own agent, who loves my work and says she wants to make me the Queen of Fantasy Romance (which apparently does not come with a tiara - what a gyp), said of one of my books "it's like epic fantasy and urban fantasy had a lurid affair and this is their baby."

Now I've been assigned yet another genre - my trilogy coming out in 2014, The Twelve Kingdoms, is being called Adult Fantasy by the publisher.

I just roll with it.

Because, really, on a fundamental level, genre is irrelevant to me as a storyteller.Yes, it's meant to convey a promise to readers, but this dividing and sub-dividing is not something that really serves anyone. If we have to spend all this time and effort parsing the difference between fantasy, fantasy romance, epic fantasy and epic fantasy romance, obviously we're not clearly communicating anything at all. When I mentioned I was writing this post, @e_bookpushers, a reviewer for The Bookpushers and fan of all kinds of fantasy, with and without romance, commented "Sometimes I think we subdivide to far and use descriptive terms that turn people off."

This is where we see the eyes glaze over. 

After all, those of us in our 30s and 40s remember an era before the Young Adult (YA) "genre" even existed. I think that's part of what's happening now. So many of us writing variations on the Fantasy theme grew up reading a melange of books - Judy Blume and Judy Garwood. Anne McCaffrey, Ann Tyler and Anne Rice. Orson Scott Card, Jack Chalker, Margaret Atwood and Mary Stewart.

We all started as readers and, as readers, we didn't really care what genre a book fell into, as long as we could find more like it. That's the key - helping our readers, and ourselves, find more of what we love to read.

I suspect that, more and more, that will occur through blogs like this one. And like The Bookpushers. Maybe we've moved past the need to describe books with a one- or two-word label. We can talk more broadly and allow more room for stories that don't quite fit neatly into a product mold.

As Miranda says in The Tempest, arguably a fantasy story, "How beauteous mankind is! O brave new world, That has such people in't!"

Brave new world, indeed. 

Tuesday, May 7, 2013

Epic Fantasy: Where’s the Love?

Posted by: Jane Kindred

Welcome to the second installment of Fantasy Week, the first in a series spotlighting the different speculative fiction subgenres we write in here at Here Be Magic.

I’m a fantasy writer, not a romance writer. I say this repeatedly to anyone who will listen—not because I think there’s anything wrong with romance; au contraire! I think romance belongs in everything. But I want to make sure no one is disappointed when they read my books expecting a traditional romantic plot with the push-pull of a hero and heroine trying to resist one another and failing, full of erotic tension and the eventual surrender of both in the unequivocal HEA. Don’t get me wrong; I’ve got that, too, but it’s only a part of the story.

My agent recently confirmed as much when I tried to write a traditional romantic suspense to sell to an established line. “I love your writing, as always,” she said. “But this isn’t really feeling like a romance to me.” Try as I might, I just can’t resist the allure of building my own world, creating my own mythology, and dragging my characters on an epic journey fraught with peril and rife with high stakes that can bring down entire kingdoms—or entire worlds.

Nevertheless, I spent the past week enmeshed in a different kind of alternate world: the world of the romance writer, at the RT Booklovers Convention. Because despite the fact that I don’t write romance, I can’t write fantasy without it. Fantasy without romance feels like it’s missing one of the most epic of adventures—the adventure of the human heart.

And that puts me smack-dab in the middle of a publishing conundrum. Romance readers are often a bit intimidated by the epic-ness of the epic fantasy. And fantasy readers have a tendency to be a tad suspicious when something looks like romance—despite the fact that at their core, many fantasies have a love story, though often underdeveloped. As a kid devouring both romance and fantasy, I always wished the fantasies had more of the former, and the romances more of the fantastical.

So there I sat at RT, surrounded by romance writers and readers, and feeling just as much a fish out of water as I did last November at the World Fantasy Convention. I’m some kind of chimera that can’t be classified. I have chocolate in my peanut butter. I may even be Frankenstein’s monster, stitched together with parts that work well together though they’ve come from different origins, but seeming a little scary and misshapen to those who’ve never seen one of me before. “What do you write?” people would ask. “Epic fantasy,” I’d reply, and then quickly add “with romantic elements” before they came at me with torches and pitchforks.

To most people who haven’t read the genre, when they hear “epic fantasy,” they think of 1,000-page paperweights full of elves and orcs and dragons, page after page of painstaking descriptions of drab medieval customs and complicated court intrigue with names no one can pronounce, and lots and lots of swords and sorcerers. And to be sure, books with those elements are epic fantasy, but none of those things are required to make a book an epic fantasy. What it requires, generally, is a uniquely invented world that is not our own, a protagonist whose problem is much larger than herself (her people and her world are depending on her and she usually has to fight someone powerful to save them), and magic. And what’s more magical than love? I say it fits right in with the epic.

Some of my favorite epic and romantic fantasies are Jacqueline Carey’s Kushiel’s Legacy series—its court intrigue woven together through highly charged erotic scenes, sacred prostitutes, and a healthy dose of BDSM; Lynn Flewelling’s Nightrunner series, with its sexy, fae-like m/m lovers as medieval Sherlock Holmesian detectives who are also scoundrels and thieves; and J.K. Rowling’s Harry Potter. Yes, Harry Potter is as epic and romantic as they come.

So, really…what’s not to love about epic fantasy?

Don't forget to check out Sunday's kick-off post for Fantasy Week from Angela Highland on why she reads fantasy, and be sure to stop by every day this week for a new post from one of our fantasy writers.

Monday, May 6, 2013

Here Be News

Posted by: Unknown
Our new releases this week

Book three of Alliance of the Amazons

Zach Hanson is a tech wizard, capable of creating and improving gadgets--including remote nuclear warhead launchers. But he's always known that he's destined for something more, something greater, something...supernatural.

Powerful Air Amazon Gina Himmel is one of four sisters called to protect the world from those who would do it harm. Demigods in league with an Ancient have been taking over the bodies of leaders in the military and technological sectors, and Gina is sent to San Francisco to watch over Zach.

Under Gina's protection, Zach is introduced to a world of ancient deities, rogue gods and the bold, brazen Amazons who keep humanity safe. Amidst the whirlwind of battle, Zach and Gina discover a love that could give them the power to save the world...or destroy it.

Meet Earth and Fire in The Reluctant Amazon and The Impetuous Amazon.

Buy

***


How far will a good man go to save his home and loved ones?

Lord James Dupree must recover his family's stolen Luck, the elven talisman that has protected the Dupree lands for generations. Without the talisman, the Dupree vineyards are failing and creditors are closing in. The Luck is his only hope of saving his home and his family from poverty and ruin.

Despite his abhorrence of slavery, James wins an elven slave in a game of cards. The slave, Loren, provides the only chance to enter the Lands Between and recover the stolen Luck. Despite James's assurances and best intentions, Loren does not trust his new master and James finds it all too easy to slip into the role of slave master when Loren defies him.

As the two work together through hardship and danger, James finds himself falling in love with Loren. And when a hidden enemy moves against them, he must choose between his responsibility to his family and his own soul.

Buy

Fantasy Week




We're all speculative fiction writers at Here Be Magic but we run the gamut from epic fantasy without a shred of romance in it to full out paranormal erotica. Over the next few months, we're going to spotlight the different subgenres and hopefully let you get to know our authors better and where they fall within that range. This week is Fantasy Week.


5/5/2013 - Angela Highland Fantasy Week Why Fantasy?

5/7/2013 - Jane Kindred Fantasy Week

5/8/2013 - Jeffe Kennedy Fantasy Week

5/9/2013 - Nicole Luiken Fantasy Week

5/10/2013 - Shawna Thomas Fantasy Week

5/11/2013 - Ruth A Casie Fantasy Week


Here Be Magic Group Announcements

"The journey is the thing" =>Romance writer Jeffe Kennedy discusses her sexy novels in an interview on KOB4


Sunday, May 5, 2013

Fantasy Week: What draws me to reading fantasy?

Posted by: Angela Korra'ti
Hi again, Here Be Magic readers! As part of Fantasy Week here on the blog, I'm here to talk about a very basic question: why fantasy, and not urban fantasy?

Anybody who's paid the slightest bit of attention to the publishing industry over the last several years, whether as an industry professional or simply as a reader, probably knows that urban fantasy has generally outsold more traditional fantasy for some time now. There are exceptions, of course--George R.R. Martin and Patrick Rothfuss immediately come to mind. But time and time again, the people I hear about who are the better-selling names in the SF/F genre are urban fantasy. I've heard more than once about authors who've made the jump from writing traditional fantasy over to writing urban fantasy, just for the sake of strengthening their careers. And clearly, at least for the time being, it's the intelligent career choice if an author wants to increase her chances of getting her book into the hands of readers.

As a reader, I certainly have my own share of urban fantasy in my library. As a writer, I've got my own urban fantasy series, The Free Court of Seattle.

I could tell you that Tolkien was a critical influence on my early reading years, and that he was closely followed up by Terry Brooks' original Shannara trilogy as well as David Eddings' Belgariad and Mallorean series. I could mention Esther Friesner or Gael Baudino or Mercedes Lackey--especially Lackey, given that her first Valdemar novels came out when I was just getting into college. And of course I could mention Elfquest yet again, which in its long and venerable history has generally always been about as non-urban as it's possible for fantasy to get.

All of which would be true, but none of which would really answer the question of what draws me to straight-up, no-qualifiers, fantasy?

  • Locale. Sometimes I don't want to be reading about an alternate, magical version of the real world; sometimes I just want to be reading about another world entirely. Don't get me wrong--in the hands of a gifted writer, our own world's magic and complexity can be made to shine. And there's great wonder to be found in the idea that magical things may be lurking right around your neighborhood corner. But I learned very early on, thanks to the authors I've mentioned above and many others as well, that the boundaries of my imagination need not be limited to just our own world. 
  • Worldbuilding. This is where fantasy really gets a chance to shine, for my money. Sure, every fantasy novel ever written is going to have a society in it modeled on aspects of the real world; we can't escape that, since we are after all all writers living in the world we know, so of course we're going to be extrapolating out from that. There will still be connections to and reflections of our own world. But oh, the fun of just taking all those bits and pieces of the world we know, mixing and matching them, honing and crafting them, until something emerges that we can call our own.
  • Adventure! Huh! Excitement! Huh! A Jedi craves not these--ahem. Er, sorry, wrong genre. Which is not to say urban fantasy can't be adventurous; certainly, the Dresden Files come to mind as an example of urban fantasy chock full of adventure. For me as a reader, though, fantasy tends to provide the kinds of high adventure plots I find more appealing. Good old-fashioned quest plot? Sign me up. Hard treks through wilderness country? Bring it. Defeating an ancient rising evil? On board. And I go as well for smaller-scale adventures--thievery capers, mixing it up with mystery and solving attempted or actual murders, just to name a couple of the sort that Patricia Briggs wrote before she switched over to urban fantasy. Anne Logston did quite a few smaller-scale fantasy adventures too, with the tales of her elf thief Shadow.
  • Escapism. Some might actually look on this as a negative, if they're of the school of thought that says that a fantasy novel needs to be dark and gritty and realistic. But escapism comes hand in hand with adventure for me, and dammit, escapism isn't a dirty word. I have enough of dark, gritty realism in the real world. Give me a big, bold colorful escapist fantasy and I'm a happy reader.
I've tried to pull in both adventure and escapism in Valor of the Healer, to make it the sort of fantasy novel I like to read as well as the sort I like to write. For those of you who've bought it or may choose to pick it up, I hope you'll let me know if I've pulled it off!

What do you think about the fantasy genre in general, readers? Tell me about your own favorite reasons to read a fantasy novel in the comments!

--
Angela Highland is the author of Valor of the Healer, book 1 of the Rebels of Adalonia series. As Angela Korra'ti, she writes Faerie Blood, book 1 of The Free Court of Seattle. Come say hi to her at angelahighland.com!

Thursday, May 2, 2013

Round Robin: The Final, Mindboggling Chapter

Posted by: Jody W. and Meankitty
For links to previous chapters: http://herebemagic.blogspot.com/p/round-robin-story.html

Without further ado...

PART FORTY-TWO: THE GRAND FINALE
(Note: The answer to the universe may or may not be in this chapter.)

By Jody Wallace (www.jodywallace.com)

Aurora, her eyes and nose red from weeping, screamed and dropped her bouquet. Her white dress, covered in tiny gems, glinted blue as the glow from Dash’s shapeshifting power faded.

“Oh, thank Horus!” she cried.

Beside her, Ainmire’s eyes bugged out with rage. He was a tall man with a face like someone who’d smelled something bad. In contrast to Aurora’s crystalline white, he was dressed completely in...hot pink.

Well, that was unexpected.

“Hello, there,” the old abbot said, standing on tiptoes to peer past Aurora, who was quite tall. There was no golden cord around the wrists of Aurora and Ainmire yet which meant she and Dash were in time to stop the wedding. “Aren’t you newlyweds supposed to be on a honeymoon?”

“Off with their heads!” Ainmire demanded, quite unoriginally.

Male soldiers, including Stride, moved forward to grapple with Dash. That left Delphie unattended. None of the djinn dudes would risk touching her and granting her any wishes.

Quick as a barghest, Delphie skipped forward, up the steps and straight for the evil king, hands outstretched.

“Oh, no, you don’t.” A lime-haired female blocked her access to the angry king. She was stealthy, agile...and familiar. “Troublemaking pixie.”

“Hey, I know you.” There was no mistaking that hideous fluorescent hair. “You were Aurora’s maid—and you’re a spy.”

“You’re daft,” the woman declared. She dodged right and left, the same as Delphie, preventing her from approaching the king. “I am loyal to my Queen Aurora.”

“Seize the pixie!” Ainmire thudded his gaudy brass scepter on the ground. “Her life is also forfeit.”

“No!” Dash bellowed. He sparkled blue for a moment...and nothing happened. Struggle as he might, he’d apparently used the last of his power to sprint himself and Delphie into the palace. Beside him, scimitar at his brother’s throat, Stride bowed his blond head in failure.

Well, rats. If Stride wasn’t even going to rebel, knowing the truth like he did, this was definitely a pickle.

Several female guards converged on Delphie, their brass armor gaily festooned with ribbons. Delphie fought dirty, but she was small and they were many. Within moments they had pinned her.

“Why is my life forfeit?” Delphie demanded. “Or Dash’s? I married him so his death sentence would be lifted. Your own abbot performed the ceremony. You can’t just make up new laws on the spot.”

Could he? He was a king, but from what little Dash had shared about djinn hierarchy, it sounded like their laws were already set in stone.

The large audience, which had been silent, began to shift and murmur. It was composed of female djinn on one side and male on the other, with a glowing blue line down the center. If Dash was right about Aurora’s secret marriage and this wedding revealed it, Aurora and her husband, whomever he was, would be executed along with Delphie and Dash. Also, the Clan Aurora women in the audience would be slaves to Ainmire for a year and a day.

Since the males could compel wishes out of an entire clan of female djinn, that would give Clan Ainmire unlimited power. They could use it against other clans. They could use it off world. Delphie was beginning to see why this situation—executions aside—was a dire suck fest.

“Ask your husband why you’re both as good as dead,” Ainmire said with a sneer. He strode forward, his chest puffed out like a pigeon. Her captors dragged her down several of the dais’s steps so she had to crane her head to look up at the king. “For one, he molested my betrothed yesterday. He will have his hands cut off before his head for that.”

“Whatever, your Craziness.” Delphie jerked at the women restraining her, and they gripped her tighter. “He didn’t molest Aurora or even try to.”

“I have it on good authority they touched one another.” He glanced at the green-haired spy who’d fought Delphie, and she scowled.

Oh ho. Perhaps the spy girl didn’t like her job. Perhaps Ainmire was holding something over her poorly-dressed head. Delphie could work with that.

“So what?” she told the King. “Djinn can’t have friends?”

“Non-clan members of the opposite sex aren’t allowed to touch royalty,” Ainmire explained pompously. “It’s automatically counted as molestation. Why am I surprised you don’t know this or anything else about our ways? The main reason you and your treasonous husband are sentenced to death is because he didn’t quench you, you filthy little outlander. That is treachery beyond anything else.”

“Oh, he quenched me, all right,” Delphie said, sparing a wink for her furious, struggling husband. “Like, four times. Bet you can’t quench anybody that good.”

The king’s skin turned an unattractive beet color with rage. “Ignorant wench.”

“Seriously. I’m not even thirsty.”

Ainmire, studying her with evil intent, steepled his fingers like some stereotypical prime dimension movie villain. Delphie considered what Dash had told her about Ainmire—his dark, twisted imagination and his hatred for other fairy species in particular.

She really didn’t want her wings torn off by rabid griffins!

“You think you can come into my world and steal our magic?” Ainmire ranted. The crowd murmured louder, in agreement. “You deserve death. You deserve worse than death. Pray that I execute you quickly.”

Some guy in the audience shouted, “Yeah!”

The crowd grew restless—lots of shuffling and thumping. Oh, dear. Fighting the king and the soldiers was bad enough. She didn’t want to fight five hundred djinn too. “If it’s all the same to you, I’m going to pray that you don’t execute me at all.”

“Shut up, you unquenched hussy,” spat the king. “You and your traitor husband get no say.”

It occurred to her she probably should have found out about this quenching stuff before now. Every time it had come up, nobody had explained it. Quite frankly, nobody had had time to explain it.

They kept calling her an outlander—someone from outside their secret dimension. They really got their drawers in a tizzy over that. Xenophobia? Maybe. Or did their fear stem from the fact she could snag wishes from people, like she had Stride, and they couldn’t snag wishes from her? That gave her a pretty huge advantage.

It would give anyone from outside a huge advantage. Outlanders could enslave the djinn. Hence this being a Very Secret Dimension whose residents were believed to be a myth.

It was almost understandable Fart Face wanted to execute her for stumbling around here.

That being said—no way.

“I am quenched,” she declared, putting her plan into motion. “You can’t kill me or you’re breaking your own laws.”

The crowd, bloodthirsty at this point, watched the proceedings as if it were a special show, hosted just for them. Considering how speedy her wedding to Dash had been – I do, I do, and now you’re wed – this might end up being the longest, most exciting wedding ceremony in the history of the djinn.

“Enjoy your last breaths, outlander. Don’t waste them on lies.” Ainmire turned his back on Delphie and addressed a horror-stricken Aurora. “My betrothed, I really must thank you for your part in giving me this wonderful wedding gift.”

Aurora’s skin blanched to the same white color as her wedding gown. “If we could talk in private for a moment, Ainmire, I could explain--”

“I love having choices,” Ainmire said, interrupting her. “Do I execute first? And if so, which traitor? Or do I marry my dear, beloved Aurora? Decisions, decisions.”

Delphie kicked one of the guards holding her, but the brass plating on the guard’s shin prevented Delphie from doing any damage with her spike heels.

“I told you, I am quenched,” she yelled. “And I can prove it.”

She hoped. She only had a half-formed idea of what it meant.

“You think you can touch me to prove it?” Ainmire laughed. “I’m not a stupid troglodyte. I’m not falling for that.”

“No,” Delphie said. “I’ll touch Dash and prove it. I’m quenched, so he won’t feel the tiniest bit of a wish compulsion.” Ainmire wouldn’t know, yet, that Dash possessed the secret to break the compulsion entirely. Aurora, without Dash here to prove it, wouldn’t have told him. And now that Delphie had met Ainmire, she didn’t think anybody should give him anything but a boot to the ass.

“Like that would work.” Ainmire thrust at her with his scepter. Replacement phallus, much? “You and that traitor were bound with the golden cord in marriage. There are no wishes between you but those of the heart.”

Oops. Delphie glanced frantically around the room for another idea, and her gaze locked with Stride’s.

All the misery in the world burdened that man. She almost felt sorry for him, if he hadn’t been such a tool this whole time. He clearly didn’t want to kill his brother, or her, or Aurora. In fact, if she wasn’t mistaken, the man looked like he’d rather be dead right now than where he was.

“Then I’ll touch some other djinn. What about him?” She pointed at Stride.

Aurora pressed trembling hands to her mouth.

“No,” she pleaded. “Don’t touch him. Ainmire has more wish compulsions owed to him than you can get from Stride. He will outwish you, pixie.”

“But I won’t be getting any wishes from Stride,” Delphie said, fingers crossed for luck. “I’m not looking for a wish battle here. I just want to prove I’m quenched.”

“Ah,” the king said. “That might work. Enforcer, I order you to touch her.”

Stride, his expression pained, walked across the room and held out his hand. “Do your worst, pixie.”

Delphie jerked her arms free of the female guards holding them. “I need that, thank you very much.” She clasped Stride’s broad hand in her own.

Nothing happened. No flash of blue, no compulsion, no nothing. Thank goodness her hunch had worked and he was still immune to her after she’d stolen wishes from him yesterday.

She raised herself onto her tiptoes and kissed her brother in law on the cheek. “Give this to your brother, would you?”

“Enough!” Ainmire bellowed. “Fine, I’m convinced. You have been quenched. But your husband is a traitor who molested my betrothed. He shall die.”

Ainmire threw back his head and laughed: “Muahahahaha!”

Oh, good gravy.

“You sure you want to do that?” she asked the king when he’d finished posing for the cover of Villians Today. “Dash holds the secret to solving the wish compulsion entirely, and if you kill him, it dies with him.”

The crowd started whispering amongst themselves so urgently, it sounded like the hiss of a giant cobra.

“Have any female djinn touch him,” Delphie suggested.

“You quenched him,” Ainmire accused. “It can be done to djinn too.”

“How could I quench him? I’m quenched myself, and I can’t grant wishes either.”

With a flick of his scepter, Ainmire directed the green-haired spy to touch Dash. And when she did, the male guards holding Dash steady, nothing happened.

Dash grinned.

Stride grinned.

Aurora’s cheeks gained some much needed color.

“How did you do this thing?” Ainmire asked, eyes wide. “I demand you tell me, or I will execute you both on the spot.”

“With this magic herb.” Delphie withdrew the bottle of catnip she’d been planning to give her husband on their honeymoon. Their second honeymoon. She shook most of the herb into her hand. “Watch what it does to him.”

With the female guards following her step for step, Delphie crossed the room as well and sprinkled some catnip on Dash. Immediately, he began to sparkle with blue power. A tiny whirlwind erupted around him, and then POP! He morphed into his magnificent gryphon form—only four times the size she expected.

What a man! The guards holding him scuttled away, terrified. Dash raised himself to his hind legs and roared, pawing the air. His golden wings flapped, sending ribbons and flowers and other weddingy type things flying through the air.

The audience screamed. Many began rushing the exit. Basically, pure bedlam erupted.

Ainmire’s scepter clattered to the ground from nerveless fingers. “Shapeshifting is not a skill I’ve gifted to my clan! What is the meaning of this?”

“When a djinn is transformed by this herb, grown only in the Earth Two dimension, he or she gains the power of, ah, telekinetic translocution...ah...” Delphie sought impressive enough words to get Ainmire to come closer. “Anyamungus pyrographicamogorum.”

Ainmire goggled at her. “What the what?”

“It means I’m an all-powerful djinni,” Dash said, in as exasperated a voice as possible. His beak clacked as he gnashed it. “The most powerful being in the entire dimensional stratosphere!”

“Then why did you allow us to capture you so easily?” Ainmire growled. “You are a ridiculous liar.”

“And you’re a creepy xenophobic shut-in who has no idea of the advances in the magical sciences we’ve been making on Earth Two,” Delphie retorted. “Can’t you see he doesn’t want people to get hurt in the chaos? We only want to stop this wedding. I think you know why.”

Ainmire’s expression glinted with greed—and understanding. Oh, yes, he knew about Aurora’s secret wedding. Delphie resisted the urge to fist pump, since that might reveal how excited she was that she was right. Boy, was she gonna rub that into Dash later! Along with some edible massage oil.

“If I have all the power in the universe, I won’t need her paltry lady clan,” Ainmire said, casting Aurora a slitty-eyed glare. “Tell me more.”

“If I just had more fairy dust, I could show you. You let us all go free, and I’ll give you the power instead of Dash. There can be only one, you know. Unfortunately, I’m fresh out of dust.”

Ainmire snapped his fingers at one of the female guards. “You there. With your last wish, order Stride to fetch me some fairy dust.”

“The good stuff,” Delphie said. “None of that bottom shelf White Sands crap.”

The guard complied. Stride strode off, and within moments returned with a small wooden box.

“Madam Pixie.” He presented it to her and bowed. “Your dust.”

She mixed it with the last of the herbs and quirked an eyebrow at Ainmire. “Don’t be so standoffish. I have to touch you to assign Dash’s power into you.”

She put one hand on Dash, as if preparing for a transfer ritual, and held the other out to Ainmire. She could have snagged wishes from any of the male djinn during the hubbub, but it had to be Ainmire. She had to compel him alone.

Ainmire, almost as if he couldn’t believe he was falling for this, touched her skin.

The wish compulsion flared blue between them, so bright it hurt her eyes. Apparently royals really packed a wishy punch.

Ainmire fell to his knees. “Noooooooooooooooooooo!”

“Haha!” Delphie cackled. No “muahaha’s” for her—she wasn’t the villain here. She was the hero! “You there! Stupid King Ainmire! I wish you’d get up and do a stupid dance!”

Ainmire hopped to his feet and began cavorting. The rage on his face pleased Delphie to no end—and apparently a lot of other people too. Lady guards hugged other lady guards. Male guards pounded each other on the back. What was left of the crowd, the intrepid ones more curious about the proceedings than they were scared of a giant gryphons, cheered and whistled.

And Aurora...hugged Stride? What was up with that?

Dash sparkled back into his original form. “You wasted a wish on that?” he fussed.

“Oh, I’ve got two more.” She began to clap her hands along with King Ainmire’s horrible capering. “Kick those legs. One, two, three!”

The abbot came to Delphie’s side, still holding the golden cord of marriage. “You must not let vengeance and meanness drive you, my child. Do what needs to be done with a modicum of cruelty.”

“What about little more cruelty?” she asked, her eyes still on Ainmire. Every time he managed to cavort closer to one of the female guards, she backed away from him, laughing. Why he didn’t attempt to out-wish her, she didn’t know. Maybe it had something to do with the fact he was too compelled to obey her?

“Delphie,” Dash whispered into her ear, his hand at her back and his voice a purr. “The sooner we get this over with, the sooner we can finish our honeymoon.”

Oh, right. She’d given him catnip. Yes, time to finish this.

“I wish you would tell us all,” Delphie ordered King Ainmire, “how you installed an illegal spy into Queen Aurora’s staff long before the wish feud began.”

“That is considered criminal,” the abbot said. “Any wishes owed between djinn, any wish compulsions granted to those who aren’t outlanders, must be registered on the rolls. It keeps us in balance—keeps us in harmony, so that we can live our lives in security and secrecy. Surely Ainmire wouldn’t...”

“I did,” Ainmire snarled. “I have spies everywhere. I am going to take over the world. Muahahahaha!”

What was left of the crowd gasped. Ainmire opened his mouth, probably to tell everyone about Aurora’s illicit wedding so she would still be in deep doo-doo too.

“I wish you’d shut up now,” Delphie said quickly.

Ainmire did. As soon as he did...he bolted. Silently. But he bolted.

“I wish you’d come back and take it like a man!” Unfortunately telling him to shut up had been her last wish. Perhaps she shouldn’t have used the first one to make him dance like a monkey after all. “Oops.”

Dash blurred into Ainmire’s path and stuck out one muscular arm. Ainmire bounced off it and to the ground, clotheslined. “Fairy dust. Infinity bottle!” he yelled at Delphie.

She ran forward, threw a whole honking handful of dust on Ainmire, and stuck out the bottle. “Get in there,” she said.

Since this wasn’t White Sands dust, her desire and intent structured the magic correctly. Ainmire, a look of total horror on his fart-smelling face, shrank smaller and smaller and smaller until he was suctioned into the bottle.

Delphie hoped he liked the smell of catnip, because he was going to be stuck inside this infinity bottle for a long, long time.

“Well done,” the abbot said. “You have spared our new king from the necessity of beginning his reign with an ugly execution.”

“What?” Delphie asked. Wouldn’t they need to have elections or something?

Stride, looking a lot less miserable and strangely noble, stepped forward to the edge of the dais. “My people,” he said. “I hereby renounce Clan Aurora’s debt to Clan Ainmire due to the perfidity of the previous ruler. There will be no year and a day of service. You are all free to go.”

“Why are you the king?” Delphie asked.

“The King’s Enforcer is the king’s heir,” the abbot explained.

“Thank you, King Ainmire,” Aurora said, coming to stand beside Stride. Wait, no, he was Ainmire now. Holy Dryad, these djinn naming conventions were hard to keep track of.

Hell, she was just gonna call him Stridemire.

“And there is still the matter of a royal engagement and wedding,” the abbot said. “The clans agreed it should take place, and that still stands.”

Stridemire and Aurora glanced at each other, and Aurora’s cheeks turned pink.

“All right,” she said.

Wait a minute. Delphie stared at Aurora, and then Stridemire. If the abbot tried to marry them, the truth about Aurora’s secret marriage to a commoner was still going to come out, and she was still going to get executed. Why would she so easily agree to this royal wedding?

Dash slipped an arm around Delphie. “It’s all right, wife. You’ll see.”

The crowd settled back into their seats and quieted. Aurora and Stridemire stuck out their wrists, and the abbot placed the golden cord around them.

“We do,” they said, before the abbot spoke.

“Well, eager to get to the honeymoon, are we?” The abbot chuckled “Then let it be so!” The abbot waved over the cord that held their hands together. It glowed a bright blue—and then remained as solid as ever, on their wrists.

Delphie gaped. “When we got married, the cord disappeared into our skin.”

“Hm.” The abbot waved his hands above the cord again. “Let it be so!”

The cord glowed blue...and did nothing.

The abbot cast a sharp eye over the couple standing before him. Delphie noticed their free hands were clasped between them. And she remembered, too, that they’d embraced when Ainmire had been vanquished. Were they not worried about wish compelling each other?

“I gather the two of you are already wed,” the abbot grumbled. His body blocked the audience’s view of their extended wrists. He deftly whipped the cord into his voluminous robes. “I’m disappointed. You got illicitly married and you didn’t even ask me to do it. I’d be offended if I weren’t so glad to see the back of that rascal Ainmire.”

He raised their clasped hands over his head and turned to the crowd.

“May the cord that binds these souls never chafe, and may their love burn ever bright as the seven suns of Palafinia. Let their only wishes be those of the heart. I now pronounce you husband and wife until the end of time.”

A blue glow burst from the royal couple and out through the crowd like a sonic boom. They began to cheer, throwing hats and headdresses into the air. And someone threw a shirt. Then someone threw shoes, and a dress, and another shirt, and...

Delphie gaped as the djinn in the audience started ripping off their clothes and chasing each other around like satyrs. Giggles, cries and excited screams filled the air as Aurora and Stridemire watched their subjects with indulgent smiles.

Delphie liked an orgy as much as the next pixie—when she was single, that is—but a djinn orgy seemed like it would have certain wish compelling consequences.

“Oh, don’t look like that.” Dash’s hand dropped lower, to cup her rear. “The wedding of a royal couple gives the joining clans a certain...temporary immunity. Wouldn’t you jump the closest guy you saw if you’d been celibate for years?”

“No,” Delphie said, leading her sexy new husband to a more private location. “As long as we’re still married, I would only jump you.”

THE END...FOR NOW.

***


Jody Wallace
Author, Cat Person, Amigurumist
http://www.jodywallace.com  * http://www.meankitty.com  

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Wednesday, May 1, 2013

Interview with Casper, the Guardian Angel

Posted by: Janni Nell

It took a lot of persuasion, but Casper has finally consented to an interview. So here are the questions I put to him.

JN: What was your life like growing up?
C: Before I became a guardian angel, I lived in a village in what we now call Germany. Life was hard. We faced famine, bitterly cold winters and disease. It was almost a relief to go off to war.
JN: How would you describe your personality?
C: Quite laid back for a former warrior. Someone who’s been an angel for two thousand years gets in touch with their inner Zen.
JN: Do you have a motto or code you live by?
C: Do my job and do it well. My current job is caring for Allegra Fairweather. It’s full time work that keeps me on my toes.
JN: What one thing would you take to a deserted island?
C: Allegra.
JN: Where would you go on vacation?
C: To Allegra’s beachside house in Hawaii.
JN: What is your most distinguishing characteristic?

C: My golden wings.
JN: What is your major skill or talent?
C: Flying, appearing and disappearing at will.
JN: If you had to pick another career, what would it be?
C: I can’t think of anything I’d rather do than work with Allegra.
JN: Who are your closest friends?
C: My closest friends live on Cloud 9, but I can’t mention their names.
JN: What’s your favorite color?
C: Sky-blue.
JN: Favorite food?
C: Pit-roasted boar.
JN: Who do you love?
C: Do I really have to answer that? You know who she is.
JN: What are your future plans?
C: To spend more time with the love of my afterlife.           

JN: Thank you, Casper. Readers can catch up with your latest adventure in Night of the Dark Horse.


Bio: After growing up in a beachside suburb of Sydney, Australia, Janni Nell travelled overseas, working in the UK before returning to Sydney, where she now lives. When Janni isn’t writing, you can find her line dancing, walking the dog or working in her vegetable garden.
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