Showing posts with label Writing Action. Show all posts
Showing posts with label Writing Action. Show all posts

Thursday, December 19, 2019

Just Press Pause

Posted by: Maureen
By Maureen Bonatch


My clock in my office 

The last year has left me feeling as if I’ve been living my life in fast forward. There have been many changes in my life, and that of my family, that have resulted in the months flying by. The swiftness of passing time has often left me fatigued from trying to keep up, although It’s struck me that as a reader this pace is something I enjoy in a book, and as a writer, it’s something I’ve strived to achieve.

Fast Forward


Start with the action. That’s the advice often given to writers, and what I look for as a reader. I don’t want to be weighted down with a lot of backstory before I even get invested in the character. As a writer, it can be challenging to achieve since I know these characters, and I want you to know them as I do and either love and hate them the same. Thus it tempts me to share all those little idiosyncrasies that make up their character right from the get go, and to tell you their whole backstory so you know why they act like they do.

Don’t Constantly Rewind


As a reader, I don’t care to learn everything about a character as soon as they walk onto the page. It’s as if the rewind button is constantly on during the story and we aren’t making any progress. Consider that when we meet a real person—not that our characters and book buddies aren’t real to us in our mind—we don’t usually start with hearing their whole life story. There are those people. You’ve probably met them. I know I have and most of the time I'm tempted me to flee, or to try to avoid running into that person again.

Press Pause


The trick is finding that balance between learning just enough about the character to become invested, but not too much that you want to CTLR- ALT-DEL the story just to make it stop. When I read I love the action, but I also want some dialogue, and perhaps to pause a minute and tell me what’s going on in the environment. To allow me to see through the characters eyes and pause and reflect on what’s happening now and what might happen next.

Hit Reset


This hurried pace of this year has caused me to neglect some areas of my life as other areas demanded all of my time and attention. As the year rapidly comes to a close, I hope to spend some time reflecting on the things that make up a good story and apply some to my own. To make more time to pause so the fast pace doesn’t prevent me from appreciating the little things that make up each day.

One thing I have achieved this year was to find more time for reading. There’s nothing like a good story to reduce stress and add adventure into an ordinary day. If you’re still finishing up your shopping, or perhaps you deserve a few gifts yourself, you can check out this Holiday Gift Guide. A few of my books are featured, but there’s a variety of books to choose from. 


 

What Was the Pace of Your Year?


Author Bio: Maureen Bonatch grew up in small town Pennsylvania and her love of the four seasons—hockey, biking, sweat pants and hibernation—keeps her there. While immersed in writing or reading paranormal romance and fantasy, she survives on caffeine, wine, music, and laughter. A feisty Shih Tzu keeps her in line. Find Maureen on her websiteFacebookTwitter

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Monday, August 15, 2011

When in Doubt, Act It Out

Posted by: Rayna Vause
There is nothing I love more then writing a good action scene. Those fast paced scenes keep the fingers flying over the keyboard. One of the big things I think writers need to keep track of when writing an action sequence is the positioning of the characters bodies. Let me give you an example.

I was editing a fight in one of my WIPs. In this scene, one of my heroes (I write both M/M and M/F romance) is  grappling with a crazed attacker. As I reread what I’d written, I realized that one of the moves I had my hero performing wasn’t physically possible based upon his position.  It’s kind of hard to knee someone in the groin if they're sitting on your chest. Realizing my error, I wracked my brain for an escape maneuver my hero could use to get away from his assailant. I was about to completely rewrite that part of the action when the light bulb went on. During a women's self defense class I attended they'd demonstrated a Brazilian Jiu Jitsu sweep. These are moves that are designed to uses body weight and leverage to help you reverse positions with your attacker and gain the advantage. Since I hadn't yet been taught how to perform the maneuver, I was having a bit of difficulty bringing it to life on the page. Sure, I could just call it a sweep, but unless the reader was familiar with the move it wouldn't mean anything . Plus, that does nothing to put your reader into the moment. So I turned to my writing partner, Melinda Leigh, for help. She's taken BJJ classes and teaches women's self defense and is very familiar with the move. Still, no matter how clearly she described it,  I just couldn’t visualize the motion. One of the upsides of having black belts as friends is that they will happily throw you around on the karate mat and let you do the same. That's just what we did. The next time we got together at the karate studio for class we took a few moments so that I could actually perform the sweep.

Performing the move as both attacker and victim proved to be a huge help in the writing process.  It enabled me to accurately describe how my hero's felt being pinned and gave me a clearer image of his range of motion in terms of fighting back. I also knew how he felt to successfully perform the sweep and and turn the table on his attacker. Melinda and I  tried variations of the sweep giving me other options to use when appropriate. By the time we finished our practice session I knew exactly how my hero and villain would move through this section of the scene.  I could then write a fight scene that flowed smoothly and made physical sense.

More than fights can benefit from acting out the scene.  Anything that involves a complicated series of movements, especially of more then one person, can benefit from having those steps rehearsed before they are put on paper (or computer screen).  Another type of scene that comes to mind are love scenes. (Minds out of the gutter and no laughing.) How many times have you read a love scene and couldn’t wrap your mind around the description on the page.  I can think of a few occasions where I’ve been pulled out of a story because I got sidetracked trying to figure out if it was anatomically possible to bend as the author had just described.

So when in doubt, act it out. We want our readers turning the pages of our novels not diagramming our characters movements. Has anyone else ever done this or am I the only crazy one?

~Rayna Vause





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