Ten worldbuilding trivia items about my books!

Hi again, Here Be Magic readers! Today I thought I’d share with you an assortment of worldbuilding details about my books, to give you an idea of the thought processes that went into building their settings. Hopefully they’ll be interesting, and maybe spark a question or two about further details you want to hear about—whether in future blog posts or in future actual books.

And so, without further ado:

Five things about the setting of Faerie Blood:

1. The Warders originated in Scotland, and from there, they’ve spread in many directions around the globe. They’re most common in places that have been settled by people of Scots descent, which is why there are high numbers of Warders in the UK, Europe, and North America. But they are by no means limited to those places.
2. Given the nature of Warder magic, and how a Warder is physically constrained to his or her pledged city, families of Warder lineage strongly encourage their young people to travel far and wide to make sure they can see the world before they commit to a city, and to improve the chances that by the time they commit to one, they’re damn sure they want to spend the rest of their lives there. This is why most active Warders are in their 30s or older.
3. Since the Warders did originate in Scotland, the Warder lineage did start out Caucasian. However, not all modern Warders are Caucasian. Warders of color exist, descendants of assorted mixed-race couplings across the world and in particular, the last couple of centuries. This will be noteworthy as the story of Kendis and Christopher’s family continues to develop.
4. Likewise, the Warders are a predominantly human lineage. But not all Warders are entirely human. See item #3.
5. The Warders and the Sidhe are not the only sources of magic in the world. Sources of magic I’ve already written about are the kitsune of Japan, and at least one known healer born to slaves during the Civil War era.

Five things about the setting of the Rebels of Adalonia trilogy:

1. Adalonia and Tantiulo are the primary countries mentioned in Vengeance of the Hunter and Valor of the Healer, but there is at least one other known country in that setting, which I’ll be visiting in a future book. Vreyland is considerably east and north of Adalonia, and unlike Adalonia, is a society where elves and humans are living on equal terms—and which also has active magic amongst the human population as well as the elves. A not inconsiderable portion of the elven population of Vreyland are descendants of the refugees of the destruction of the ancient elven capital Astàlleramè, known to humans as Starhame.
2.  Most of the people of Tantiulo worship the threefold goddess Djashtet, but Djashtet is not the only deity known to the Tantiu people. There is a smaller sect of people in that nation who worship the wind god Vo.
3. There are reasons that the people of Tantiulo have their own name for the elves: the Hidden Ones. Primarily because there are, in fact, elves in Tantiulo, another offshoot population dating back to the fall of Starhame.
4. There were once dragons in this world, but if they still exist, they’re keeping a very, very low profile. No human or elf is known to have laid eyes upon a dragon in several hundred years. That there is a particularly vicious stretch of desert in Tantiulo whose name translates from Tantiu as ‘Dragonfell’ may well have something to do with this.
5. Adalonia is smack in the middle of its industrial revolution, and technologically speaking, is one of the more advanced nations of the world. But Vreyland does a lot with magic that Adalonia does with technology, and as the history of this world progresses, its people will face a sizable clash between technology and magic as they must ultimately decide which will dictate the course of worldwide development. Or perhaps whether both will.

And there you have it! If you’ve read any of my books and have other worldbuilding questions you’d like me to address, let me know in the comments! And if you haven’t read any of my books and would like to, as always, you can find everything you need to know about them right over here.

Angela Highland, a.k.a. Angela Korra’ti, a.k.a. Anna the Piper, writes fantasy and urban fantasy, and lives at angelahighland.com. Follow her on Facebook or on Twitter!

Why Faanshi is a healer

It’s Healer Week on Here Be Magic—and ever so conveniently, it’s also the release week for Vengeance of the Hunter, my latest from Carina Press. And what ties these things together: the character Faanshi, the female lead of the Rebels of Adalonia trilogy, who happens to be the most powerful healer that the nation of Adalonia has ever seen. In this post, I’d like to talk a bit about why I made Faanshi a healer.

I’ve posted before on this site about the Elfquest comic book series, and that’s worth mentioning again here. Some of the most powerful magic users in Elfquest are healers, including the series’ long-running antagonist, Winnowill. (And how a primary villain can in fact be a healer is worth a post all by itself.)

It’s easy to think of healing as a feminine magic, and certainly Winnowill and Leetah are notable as Elfquest characters who are both a) powerful healers and b) female. The series adds gender balance, though, by also presenting Mender and Rain as healers—and while Rain is a briefly mentioned character in the backstory of the Wolfrider tribe, Mender is an ongoing significant character in the recently started, brand new storyline. As with many aspects of its characterization and worldbuilding, Elfquest thusly demonstrated a gender balance that was a fundamental influence on how I set out to write my own stories.

Just as important, though, was the physicality that it brought to healing magic. One of the earliest panels I remember from the very first Elfquest story I read was this one, where Leetah is healing Redlance, who’s been wounded by a human spear.

More than just laying-on of hands, this image spoke to me of the inherent power that could spring out of the connection of a healer’s hands to an injured or ailing person’s body.

It’s a theme I saw elsewhere, in early sources of SF/F in my life. The old Star Trek episode “The Empath”, while not without its problems, gave me another example of a character whose healing powers were very much oriented around physical contact with her subject. With that came another, equally important aspect—how the female who the Enterprise crew called Gem empathically felt the pain of those she healed, even as she healed them. Gem put herself in serious danger when she healed Kirk, and then threatened her own life when she healed McCoy. When I first saw this episode, Gem’s part of it played out for me very powerfully, and stuck with me even as I matured in my understanding of all things Trek.

Last but not least, the works of Gael Baudino contributed a final important building block to Faanshi’s creation. In her novel Strands of Starlight, Baudino tells the story of the character Miriam, later Mirya, who is possessed of incredible healing power that she cannot control. She must heal any injury or sickness she comes across, and it makes no difference whether she likes or even knows the person in question.

All of these came together in my head to eventually put me on the path of playing my own healer characters in roleplaying games—notably, I played Mender on the Elfquest-themed online game Two Moons MUSH. Later, on a Star-Wars-themed game, I played a character of my own creation, Rellawy Woodlake, who possessed great but uncontrollable healing talents, which at first got her mistaken for a nascent Jedi. Eventually, on AetherMUSH, I played the original version of Faanshi.

In Rellawy’s case as well as Faanshi’s, I loved the inherent conflict of a healer character forced to heal even when she didn’t want to, and the fight between antipathy towards one who might need healing and one’s own healer’s instincts. I also greatly enjoyed seeing where these characters’ ability to glean insight into the natures of those they healed would take them.

All of these rolled into the version of Faanshi who appears in the Rebels of Adalonia trilogy. This version of Faanshi is one who, even as she struggles to master her magic, draws great strength from what her magic has told her about Julian and Kestar, after she saves both their lives. It’s a source of reassurance that bolsters her almost as much as her faith in her goddess, Djashtet.

And it’s a big reason behind why Book 1 of this series is called Valor of the Healer.

If you’ve read Valor already, I invite you now to check out Vengeance of the Hunter, newly released by Carina Press! If you haven’t read Valor yet, now is a great time to start. Valor’s official page is here, and the page for Vengeance is here!

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Angela writes as both Angela Highland and Angela Korra’ti, and lives at angelahighland.com! Come say hi to her there, or follow her on Facebook or Twitter.