Monday, October 26, 2020

HERE BE NEWS for Monday October 26, 2020

Posted by: PG Forte

 

 



Monday, October 26

Welcome to HERE BE NEWS, where each monday we bring you all the latest from the fantasy romance authors at Here Be Magic:




New!

LOVE LITES
A Collection of Romantic Sci-Fi, Fantasy, and Paranormal Vignettes
by Linda Mooney
(Rated G to R)

Word Count: 18.2K
$0.99 e / $6.99 p

      Stories Included are:

INNIE - Katherine shows her shifter husband the value of a good innie.

A BOTTLE OF LOVE - Fighting a full-blown cold, the last thing Marlow expected was a handmade gift from Liston.

THE COLOR OF ROSES - She may be a cyborg, but DeShay wants to experience what human women do...like painting her toenails.

HAPPY BIRTHDAY - Stacie and the rest of the spaceship's crew teach Gallas how to celebrate.

THE SLOT MACHINE - Wendell wins his heart's desire...whatever that is.

LADDER OF GLASS - Darra gives a heartfelt confession to her dead father.

SONG OF RELIEF - Ysidra learned it from her husband, who came from the future.

MY WORST - Carra tempts her husband, Vector, to do his worst.

PICKLES 'N ICE CREAM - When Dia asks her alien husband, Favan, to pick up dessert on his way home, he learns what it could mean.

BONDED - Peg is branded a witch and sentenced to be burned, but her new friend has other plans.

AN INFINITY OF KISSES - Illustra gets a late-night visit from a secret admirer.

THE DAY OF THE WHITE GOLD - One day on the planet determines how much water they'll have for the rest of the year.

THE GHOST OF KRISMAS PAST - Tina relives the day she lost her beloved husband...only to find out it's not forever.

COLD FAIRY MOON - When Brinn joins Sassa in watching the new year's celebrations, he ventures to suggest they have one of their own.

Excerpt and Buy Links




October 21: Nicole Luiken offers a glimpse of her WIP Where Lost Things Go

October 22: Deborah A Bailey discusses the right POV for your book.





Eight years ago, Ophelia Leonides's husband cast her off when he discovered she was not the woman he thought she was. Now destitute after the death of her father, Ophelia is forced to turn to Dario for help raising the child she never told him about. 
Dario is furious that Ophelia has returned, and refuses to believe Arthur is his son - after all, he thought his wife was barren. But to avoid gossip, he agrees to let them spend the holidays at his villa. While he cannot resist the desire he still feels for Ophelia, Dario despises himself for being hopelessly in love with a woman who can never love him back. 

But Dario is wrong: Ophelia's emotions are all too human, and she was brokenhearted when he rejected her. Unsure if she can trust the man she desperately loves, she fears for her life, her freedom and her son if anyone else learns of her true nature... 


Excerpt: 

Candlelight glimmered in the gold of his wife’s hair and Dario could not keep his gaze from straying down the length of the dining room table to where she sat, quietly chatting with her son over supper. He’d never expected to see her seated here again, presiding over his table as she used to do. Yet here she was once more, just as in seasons past.  

How many nights had he sat here reveling in the sight of her—her exquisite beauty, her ineffable grace—anticipating the night to come, when he’d have her once more in his bed... 

 “And Papa said we might go riding together sometime too,” Arthur confided in eager tones. Dario started, his attention captured by the unexpected appellation. 

 “Did he now?” There was a distinctly hesitant note in Ophelia’s voice. She shot a fearful glance in Dario’s direction. Arthur appeared not to notice his mother’s concern. “Yes, and I met his horse—Leveche—and he told me what her name means and...” 

His voice trailed off and then he, too, glanced nervously in Dario’s direction. “It is all right that I call you that, isn’t it, sir?” 

 Dario ground his teeth, uncomfortably aware of those two sets of eyes trained so anxiously on his face. Arthur’s eyes pleaded with him to say yes. What Ophelia’s eyes had to say about the matter he didn’t know, for he refused to meet them. His initial instinct was to deny the boy’s request, to insist he address him more formally; but then he reconsidered. Where was the harm in it, really? As long as he kept them here on his estate, shielded from the busybodies and the gossips, why not indulge the boy? “Certainly,” he said at last and hurriedly returned to his meal, unwilling to be drawn into any more of their conversations. He could not, however, resist taking one quick look at Ophelia’s face. The smile that curved her lips, the radiant gleam in her eyes as she gazed back at him caused his breath to hitch and his chest to grow tight. She’d always affected him like this and suddenly he wanted nothing more than to indulge himself, as well—to have his wife once more in his bed, to see if he could not give her cause to smile at him several more times before the morning broke. 

 Dario paused, shocked by the direction his own thoughts had taken. His wife? Could he even call her that anymore, knowing her for what she was? On the other hand, wasn’t that precisely how he did still think of her? Annoyed with himself, his appetite gone, Dario slammed his fork down on the table. 

 He should have divorced her long ago. Religion be damned. She’d been absolutely right to have questioned his motives this morning. He’d been lying to himself for far too long. 

 She was no one’s wife. He did not wish to bed her. 

 He groaned softly. It had been hard enough trying to pretend that was the case with her gone. Sitting here face to face, it was completely useless. No matter how many times he repeated the same empty lies, he still could not make his heart believe them. 

 Buy links are available on my website, along with the link to a free short prequel titled This Winter Night.

Saturday, October 24, 2020

Bring It Back(list) – This Winter Heart by PG Forte

Posted by: PG Forte



Eight years ago, Ophelia Leonides's husband cast her off when he discovered she was not the woman he thought she was. Now destitute after the death of her father, Ophelia is forced to turn to Dario for help raising the child she never told him about. 
Dario is furious that Ophelia has returned, and refuses to believe Arthur is his son - after all, he thought his wife was barren. But to avoid gossip, he agrees to let them spend the holidays at his villa. While he cannot resist the desire he still feels for Ophelia, Dario despises himself for being hopelessly in love with a woman who can never love him back. 

But Dario is wrong: Ophelia's emotions are all too human, and she was brokenhearted when he rejected her. Unsure if she can trust the man she desperately loves, she fears for her life, her freedom and her son if anyone else learns of her true nature... 


Excerpt: 

Candlelight glimmered in the gold of his wife’s hair and Dario could not keep his gaze from straying down the length of the dining room table to where she sat, quietly chatting with her son over supper. He’d never expected to see her seated here again, presiding over his table as she used to do. Yet here she was once more, just as in seasons past.  

How many nights had he sat here reveling in the sight of her—her exquisite beauty, her ineffable grace—anticipating the night to come, when he’d have her once more in his bed... 

 “And Papa said we might go riding together sometime too,” Arthur confided in eager tones. Dario started, his attention captured by the unexpected appellation. 

 “Did he now?” There was a distinctly hesitant note in Ophelia’s voice. She shot a fearful glance in Dario’s direction. Arthur appeared not to notice his mother’s concern. “Yes, and I met his horse—Leveche—and he told me what her name means and...” 

His voice trailed off and then he, too, glanced nervously in Dario’s direction. “It is all right that I call you that, isn’t it, sir?” 

 Dario ground his teeth, uncomfortably aware of those two sets of eyes trained so anxiously on his face. Arthur’s eyes pleaded with him to say yes. What Ophelia’s eyes had to say about the matter he didn’t know, for he refused to meet them. His initial instinct was to deny the boy’s request, to insist he address him more formally; but then he reconsidered. Where was the harm in it, really? As long as he kept them here on his estate, shielded from the busybodies and the gossips, why not indulge the boy? “Certainly,” he said at last and hurriedly returned to his meal, unwilling to be drawn into any more of their conversations. He could not, however, resist taking one quick look at Ophelia’s face. The smile that curved her lips, the radiant gleam in her eyes as she gazed back at him caused his breath to hitch and his chest to grow tight. She’d always affected him like this and suddenly he wanted nothing more than to indulge himself, as well—to have his wife once more in his bed, to see if he could not give her cause to smile at him several more times before the morning broke. 

 Dario paused, shocked by the direction his own thoughts had taken. His wife? Could he even call her that anymore, knowing her for what she was? On the other hand, wasn’t that precisely how he did still think of her? Annoyed with himself, his appetite gone, Dario slammed his fork down on the table. 

 He should have divorced her long ago. Religion be damned. She’d been absolutely right to have questioned his motives this morning. He’d been lying to himself for far too long. 

 She was no one’s wife. He did not wish to bed her. 

 He groaned softly. It had been hard enough trying to pretend that was the case with her gone. Sitting here face to face, it was completely useless. No matter how many times he repeated the same empty lies, he still could not make his heart believe them. 

 Buy links are available on my website, along with the link to a free short prequel titled This Winter Night.

Thursday, October 22, 2020

How to Pick the Right POV for Your Book

Posted by: Deborah A Bailey

Before I started writing novels, I wrote short stories in First Person point of view (POV). The stories often came to me that way. I'd hear the character's voice, then I'd start writing. Of course, getting ideas isn't always that simple. I wish it was! 

But, what are we hearing? Is the character telling us who they are? Or maybe they're having a conversation with other characters. We have to get to know them before we write their stories. 

The thing is, there are times when a lot of characters pop up and we get overwhelmed with ideas. That's when it's time to take notes and prioritize which story to start first. 

The best part is having so many ideas that you can make a list of books to work on. The challenging part is when you start working on a book and you have to find out who the characters are. I'm a "pantser" and not a plotter. For me, the characters drive the story, as opposed to me creating a plot first. 

That's why I spend a lot of time listening to the characters first - getting to know them and what the story is about. I think that's the key. We have to find the character's voice and their reason for being. We have to know what the character wants and what they'll do to get it. 

When I write, I often start out with first person POV in my initial drafts. I write down scenes and conversations that come to mind. Then, as I go along, I start to develop the story. Even with that  preparation, I'm not always sure what POV to use. 

Here are some ways to decide on a point of view for your book:


1. What is the easiest way for you to write the story? This may seem very simple, but it comes down to choosing the best way to get your words on the page. When you start writing, is there a POV that comes to you naturally? Or do you end up struggling to tell the story? 

2. What's your genre? I've read a couple of thrillers in first person POV. I'm not usually a thriller reader, so I could just be picking outliers in the genre. But, I have enjoyed reading those stories because I've felt close to the narrator. In a story where there is danger lurking, or deception to be revealed, I think a First Person POV can be very appealing. It makes you feel that you have some inside knowledge of what's going on. 

3. Is it a personal story? When you're telling a story that reflects a deeply personal experience, a First Person POV will be the best way to go. There are women's fiction novels that do this very well. Particularly when the main character is questioning her life and looking back on past experiences. 

First Person & Deep Third Person 

First person is the perspective of the character. If they don't know something, it can't be part of their view. You may know that their current love interest may disappoint them. Or that their "meet cute" will be the love of their life. Or that the dragon shifter is really a long lost prince or princess. But if your main character doesn't know it, they can't reveal it in their thoughts.

In some ways, I think First Person is very similar to the Deep Third Person POV. In that point of view, the reader gets a very up-close-and-personal view of what the character is experiencing. It all depends on the distance you're giving between the reader and the character.

Third Person Limited is probably the most popular POV these days, but Deep Third Person can be fun to try - especially if you're not comfortable writing in First Person. 

You'll notice that I'm not mentioning Second Person POV. It's not as popular as third and first, and I feel it would take a bit of work to get it right. However, there's nothing wrong with giving it a try, if you like. But, keep in mind what the conventions are for your genre. If your readers aren't into it, it won't be the best choice. 


Part of the fun (and sometimes the stress) of writing is trying new ways to tell your stories. Things have changed from the days when Third Person Omniscient (where the narrator knows the thoughts of all the characters) was the popular choice.

 Don't be afraid to experiment. Choosing a different POV for your book might enhance your creativity and open up ideas that you hadn't thought of. 

Wednesday, October 21, 2020

WIP-It Wednesday for October 21st

Posted by: Nicole Luiken

  Welcome to our new feature, WIP-It Wednesdays where any of the authors of HERE BE MAGIC might drop by to give you a glimpse at one (or more) of our Works-In-Progress.

 Nicole Luiken here: Hi! This snippet is from the first few pages of a paranormal romance called Where Lost Things Go. I'd love to know what you think of it. Enjoy!

Chapter One

Miranda froze at the wheel. Her mental rehearsal of her upcoming interview hiccupped to a stop as the world outside jumped into sudden sharp, and horrifying, focus. 

No cliffs loomed, no axe murderers blocked the road, but the dull residential street ahead was utterly unfamiliar. She couldn't spot a single landmark or street sign.  

She was lost. Again. 

On the whole she would have preferred an axe murderer. She could have run him down and kept going. 

The car's digital clock read 3:47, only thirteen minutes before her appointment. Her stomach hollowed out. Her eaten-on-the-run lunch of soda crackers and Cheez Whiz churned in her gut. “Whatever you do, don't be late,” James had warned Miranda when he'd finagled her the interview for a plum receptionist job. “J.D. likes everything to move along at a fast clip.”

 Miranda hunched over the steering wheel of her twelve-year-old Mazda, the red leatherette hot and sticky under her fingers, and pleaded with the Universe. “Can I take a rain check and get lost tomorrow? Or her next day off? That would be ideal, but really any day but today.”         

She loved the idea of the world being a mysterious place with many unexpected nooks and crannies, but this made the sixth time she'd become lost this month. She’d always had a slight propensity for getting lost—okay, okay, a major talent—but her record hadn't been this bad since her teens.

At the next street corner, Miranda slowed to a crawl in the vain hope of reading the street sign. If any such sign existed, it was totally obscured by a large weeping birch. Half-wishing an axe murderer would show up so she could borrow his hatchet and do some chopping, Miranda kept driving. 

It had been sunny when she started out, but here in the Place Where Lost Things Go perpetual twilight ruled.

Hang on. You don’t know for certain yet if this is The Place Where Lost Things Go. Maybe she was still in Edgeport. Maybe this was just an older area of the city she’d never stumbled on before.

She turned left at random at the next intersection, but nothing changed. The sidewalks were mazed with cracks—stepping on them would have meant breaking not just her mother's back, but every bone in her body. Weeds poked out of the crevices, but even the dandelions appeared sickly and stunted. The yards were unkempt, either full of dead grass or swallowed up by six-foot tall hedges. The houses all looked the same: bare of paint, the colour of dirty athletic socks. Derelict.

The whole neighbourhood was... spooky. Whenever she tried to get a better look, or catch a house number, the buildings seemed to waver as if made of folded shadows instead of ordinary brick or wood. Most damning of all, she had the road completely to herself. The only car in sight, parked on somebody's front lawn, was a rusty blue 1950s-era pickup missing its driver-side door. 

Miranda glanced at the dashboard clock again. Only six minutes remained now. Even if J.D. Enterprises miraculously appeared around the corner, she’d be cutting it close.

Something flickered in her peripheral vision. Had that been a fox? No. When she turned her head she saw an Asian girl in a pale yellow dress, running.

Relief coursed through Miranda as potent as brandy. In all her trips to the Place Where Lost Things go, she’d never seen another human being—and animals only rarely. Thus, she’d either been only ordinarily lost or she’d driven out of it.

She drove past, spirits high, expecting at any moment to see another car or a cyclist. Even the beginnings of rush hour traffic would have been welcome. Instead the same empty streets greeted her. She still couldn't spot any street signs, and—Miranda’s pulse jumped—she didn't see any street lights either. 

Every street in Edgeport had street lights. Every city, town and hamlet in the country probably had them. She was still in the Place Where Lost Things Go. What the heck?

Despite the whine of her car's air conditioning, sweat trickled down the back of her neck. Tendrils of curly dark hair had fallen out of her French roll to tease at her cheeks. No doubt her flowered sundress would soon sport sweat stains. So much for her carefully cultivated interview look.

The position was for receptionist. Miranda had already filled in once for the woman going on maternity leave and knew she could do the job in her sleep. James had sworn she would be a shoo-in. And when he’d asked her point-blank about her bank account, she’d been forced to admit it could use some beefing up. And she had been looking for a change from waitressing. And it was only for three months. She could put up with playing human voicemail machine for that long.

“Why today?” Miranda asked the Universe. Callously, the Universe didn't answer, but inside she knew the cold truth: the day didn't matter. She'd gotten lost yesterday, too, and probably would again tomorrow.

It was getting easier to get lost and harder and harder to find her way out again.

Desperate, Miranda tried to remember what she'd done as a child. Back then she'd had complicated rules for getting un-lost, like Always Go Forward, Never Go Back. Usually that was enough to do the trick, but in the face of the ticking clock—only four minutes left now—she needed to bring out the big guns. Time to try Rule Two: Find Something.

The rule sounded like nonsense. Find what? Where and how? But once Miranda started looking her gaze was immediately drawn to a splotch of yellow in all the drab gray. 

It was the girl in the yellow dress again. She kept glancing behind her as if worried. She would break into a trot, then slow after a few steps, exhausted.

The hair along Miranda's nape lifted. How had the girl gotten ahead of her? She was only driving 25 mph, but still much too fast for the girl to have caught up. Her shoulders tightened.

She slowed even more as her car pulled abreast of the child. Up close, the girl looked to be around seven or eight years old and had a mix of Asian and European features with epicanthic eyefolds, a snub nose and straight black hair split into pigtails. Her shoulders were hunched as if she'd been walking for miles. The sheer hopelessness on her thin face reminded Miranda of photos the Great Depression. The pale yellow dress was dusty, and the ribbon at the back was untied, the ends dangling and forlorn as if the girl had no mother to tie them up.

Whether or not she was still in the Place Where Lost Things Go or not, Miranda couldn't drive past her, not again. She was firm believer in Fate and this had big, heavy, karmic fingerprints all over it. She stopped.

 

 

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