Sunday, September 20, 2015

Sneak peek of my next release: Queen of Souls!

Posted by: Angela Korra'ti
SF/F would not be the genre it is today without mythology. Celtic, Greek, Norse, Egyptian, Japanese, Aztec—it’s all there. You can’t swing a stick in SF/F without hitting a novel that draws upon at least one and sometimes more world sources of mythology. And mine are certainly no exception!

Faerie Blood and Bone Walker both draw upon Celtic and Japanese mythology. Forthcoming work of mine, a novel with the working title of Queen of Souls, will be drawing upon one of my very earliest mythological loves: Greek mythos. It’s so prevalent in both SF/F and romance, I believe, specifically because there’s such a rich treasure trove of tales to mine for inspiration.

And one of my all-time favorite tales from Greek mythos is that of Hades and Persephone. I’ve always loved that story, enough that I had to write a sequel of sorts to it, an expansion to the core story. Here’s the working blurb for that!

***

No love is greater than that of a mother for her child–and no mother is more fierce in her love than Demeter the Life-Giver.

Demeter has never forgiven her brother Hades for stealing her precious only daughter. Three thousand years ago, desperate to free Persephone from the bond that pulls her back to the Underworld each year, she committed the ultimate sacrifice: transforming herself and her child into mortals. They have walked ever since in countless lifetimes across the earth, reincarnating when their human shapes die, while their eternal souls remain forever out of Hades’ reach.

The loss of his queen has nearly driven Hades mad. Consumed by grief and remorse, determined to win Persephone back to his side, he has abandoned his realm to search for her. Yet the Persephone he finds knows herself only as the mortal woman Korinne Marlowe. And her mother will stop at nothing to prevent him from stealing her again.

But a power greater and older than them all is rising to take back the earth he once ruled–and Korinne will have to prove herself worthy to stand among the gods if they’re to defeat the Lord of Time himself.

***

Want a taste of the story itself? Here’s how it opens!

***

The next time Hermes brought her back from the Underworld, Persephone wept tears of rage. They gleamed like jewels in her night-dark eyes and streamed down white cheeks that might have been sculpted from marble, so stiffly did she walk back into Olympus' shining halls. She offered no cause for it as she greeted Zeus and the others, and when with furrowed brow her father asked what troubled her, she replied only that she would discuss it only with her mother.

Aghast, Demeter hastened her daughter to their private sanctum, the garden they'd tended together ever since Persephone had been old enough to tap into the life cycles of green growing things and help them along. But this time the fragrant blooms and twining vines brought no consolation. Within their silent shelter the maiden collapsed in her mother's arms and sobbed.

"What has he done to you?" Demeter demanded.

With a slender fist Persephone punched the floor. Leaves on the nearest vines withered under the strength of her anguish, turning brown and sere and falling to the earth around them, and something withered in Demeter as well when her child lifted a stricken gaze to hers. "I caught him, Mother," she rasped, as bleak and harsh as winter. "I caught him with a nymph."

"He betrayed you," Demeter said without surprise, stroking her daughter's hair. Zeus and Poseidon had never limited themselves to their consorts' favors; why should their brother Hades be any different? "I am so sorry, child. He's no fit lord for you. I never believed he was."

With a shriek Persephone surged up out of Demeter's embrace to stalk the length and breadth of the garden. "Why did he want to be my lord to begin with if he can do this to me? He could carry me down into darkness--"

"And give you a gift that was no gift, but a chain to bind you to his side." Persephone's features were contorted with such wild wrath that for an instant Demeter wondered if her gentle daughter was about to take up the weapons of Artemis or Athena to make war upon the husband who had wronged her. She was close to making war upon him herself. Even now the mere thought of a pomegranate was enough to drive her to obliterate every last one from the face of the earth.

"He could call snakes and stone to hold Pirithous for seeking me, yet say nothing of Adonis..." Persephone's voice cracked, and as she trailed off, she slumped against one of the fine carven pillars that ran up to the garden's high ceiling. Her eyes closed in defeat. "But perhaps he shares Adonis' view now, and finds me cold--unfeeling!"

"Do not say that!" Demeter followed her, and reached a hand to her chin to make her lift her eyes. "If he thinks you cold, daughter, he is a fool. If he can dally with a nymph instead of his own queen, he is a fool a thousand times over. Let her have him. He does not deserve you."

Persephone met her mother's eyes, but hers still brimmed with wetness, and her rage had wilted away. In its absence she seemed diminished now, vulnerable, broken. "Minthe will never have him again," she whispered. "I've destroyed her. I ripped her body asunder and turned the pieces into seeds. She grows now upon a hillside in Crete, and her scent is cool and fresh..." Laughter bubbled up out of her, but it was edged with hysteria, fey and black. "I should have made her smell foul, Mother! Why didn't I make her smell foul?"

***

I will be looking to release Queen of Souls in 2016, and I hope you all will join me for the adventure!

Angela writes as both Angela Highland (the Rebels of Adalonia series) and Angela Korra'ti (the Free Court of Seattle). Come talk to her about Greek mythology or any other favorite kind of mythos on angelahighland.com, or follow her on Facebook or Twitter!

Saturday, September 19, 2015

13 Facts About Gnomes

Posted by: Jody W. and Meankitty
For mythology week, I thought I would share some information about those mysterious mythological creatures known as gnomes. There are a lot of misconceptions about gnomes that are abundant in our culture and at one point I published a couple fantasy romance novels (Survival of the Fairest, One Thousand Kisses) that worked hard to clarify these. For example...

Gnomes do not:

1. Dance jigs. Dancing jigs is reserved for leprechauns, and they only do it when they think it's going to get them chicks (or dudes).

2. Wear underpants. While most adult gnomes do wear clothing--especially pointy red caps--they eschew underpants as being too civilized.

3. Speak Latin. Gnomes hardly even speak in complete sentences, much less dead languages.

4. Go vegan. Gnomes are flesh-and-magic-ovores only. While sometimes they may chew rocks when their teeth need sharpening, they don't ingest them.

5. Fall for your shabby tricks. They are smarter than fairies give them credit for.

6. Get driver's licenses. Gnomes are wayyyyy too short to see over the wheel. So why subject themselves to the DMV? Besides, they travel through gnome holes wherever they want to go.

7. Rent themselves out to Travelocity. That guy is a fake.

8. Do chores in your house in return for a bowl of milk. Although they do appreciate it when big things put out bowls of milk for cats...since they like to eat cats. So by all means, put out more milk!

9. Help you garden. Ok, this one isn't entirely true. If a gnome poops in your garden, it isn't terrible fertilizer. Not as good as horse or cow, but better than dog, cat, fairy or human.

10. Bathe. In fact, if it rains on a gnome, the gnome will make an effort to re-grime itself.

11. Swim. This isn't to say they can't swim, but since they don't like to bathe, why would they like to get in bodies of water, period?

12. Play well with others. Gnomes are not often solitary, but the only other creatures they want to be around--without eating them--are other gnomes. Other creatures are fair game.

13. Appreciate my books about them. Gnomes have had it good for a long, long time. Books like mine and How to Survive a Garden Gnome Attack, however, are starting to reveal the ugly truth. I also highly recommend The Gnome Wars. I haven't read this Goosebumps book about gnomes, but it looks pretty accurate too. Previous mythology about sweet little gnomes has fooled big things into assuming gnomes are harmless, which means people don't protect themselves. Now that these books are starting to spread the truth, the gnomes are finding it harder to pick off stragglers.

And they're not happy about it. So beware.

***

 
Jody Wallace

Smart. Snarky. Seductive. And that's just the books.

http://www.jodywallace.com * http://www.meankitty.com

Friday, September 18, 2015

The Sacrificed God in Myth and Fiction

Posted by: Shawna Reppert


One of the most powerful image in mythic traditions throughout the world is the Sacrificed God.  From the stag god Herne, hunter and hunted, who allows himself to be killed to feed his people, to Odin hanging on the world tree to acquire knowledge to Christ dying on the cross for to redeem the world’s sins, the god who gives his life for the benefit of the community plays a central role in most myths and religions. (And what is myth, after all, but the religion of another time and place?)

What makes this archetype so compelling? It seems, from one angle, almost counter-intuitive. We expect gods to be powerful. Why would we follow a supposedly divine being that succumbs to death? I believe the answer may be twofold.

First of all, death is only the first part of the story. After death comes rebirth. The stag that dies with the sun on Samhain night becomes the stag-horned sun king that rises Solstice morning. Odin comes down from the tree to share his new wisdom and Christ rises from the grave to prove that death is illusory. It’s comforting for us mortals doomed to die to believe that death is not the end. Further, the archetype gives us hope in all those smaller deaths we will face throughout our lifetime. The end of a marriage, the loss of a job, an injury that radically changes our assumptions about the future. We need something to remind us that the days will lengthen, the crops will sprout and grow, and the young stag will bound through the woods once again. This part of the myth also symbolizes transformation, and brings with it hope that we can become the people we want to be.

In fiction, this archetype can be a return from literal death. (The dread pirate Westley at Miracle Max’s springs to mind, even if he was only ‘mostly dead.’ The Doctor’s regenerations in Doctor Who could be considered a form of the death/rebirth cycle.) It also comes into play when a character is believed to be dead and returns to the astonishment of all. (Think Gandalf’s return after he fell into the chasm in Moria.), or even if the character faces great mortal peril and survives. (As in Frodo nearly dying on the summit of Mount Doom or a thousand tales of knights who nearly perish slaying dragons.)

(For more information on this aspect of the legend, read The Writer’s Journey by Christopher Vogler. Actually, read it in any case. He is the master, I am merely an acolyte. )

Secondly, the willingness to sacrifice is one of the most compelling virtues there is, one that we love to see in our heroes and protagonists, and what are gods but larger-than-life heroes and protagonists. Think Harry Potter going to face Voldemort for the last time thinking that he must die to end the menace. Or (in my opinion, more poignant) Severus Snape permitting everyone to think the worst of him for all those years just to keep his cover so he could spy for Albus. It’s fine for Superman to stop bullets with his chest. But what really makes us care about him as a character is how he sacrifices his chance at love with Lois Lane by never letting her see beyond the bumbling façade of Clark Kent.

Admiration for self-sacrifice may be hard-wired into our DNA. How else would puny social animals like humans survive? Relatively powerless as individuals, we needed the strong, able hunters to risk their lives against charging mammoths in order to feed the elders who kept the tribe’s wisdom, the artists that fed the tribe’s soul, the mothers who bore the children and the children who would someday be hunters, artists, wise men and parents to the next generation.

So next time you settle down with a good book or movie, look for one of the faces of the Sacrificed God.


About the author:
 
Shawna Reppert is an award-winning author of fantasy and steampunk who keeps her readers up all night and makes them miss work deadlines.  Her fiction asks questions for which there are no easy answers while taking readers on a fine adventure that grips them heart and soul.  You can find her work on Amazon and follow her blog on her website (www.Shawna-Reppert.com).  You can friend her on Facebook and follow her on Twitter, where she posts an amazing array of geekery.  Shawna can also sometimes be found in medieval garb on a caparisoned horse, throwing javelins into innocent hay bales that never did anything to her.

Thursday, September 17, 2015

The Myth of Icarus

Posted by: Jenny Schwartz
Myths are fabulous. They don't explain things so much as inspire them. They invite us to ask why and explore the hidden motivations of human behaviour.

The myth of Icarus has long fascinated me: such daring, such near success, and the price paid.

When I wrote the steampunk novella, The Icarus Plot, I didn't want to rewrite the Icarus myth in a Victorian setting. Instead, I took an element of the myth and explored it. Weaving through the story is an underlying question: who pays?

Ambition and desperation propel human achievement. Icarus flew too near the sun, and the wax of his wings melted. Is the lesson to be moderate in our striving? or is the deeper lesson that his father, Daedalus, spent so much effort on designing things that he ignored teaching his son wisdom? Did Icarus pay the price of his dad's intellectual pride?

Disclaimer: there are no wax wings in The Icarus Plot, but there is an abandoned, haunted bedlam.



Ivana March runs a very special toy shop in the heart of Victorian London. The last person she expects to see enter it is an earl. Not that she has time to entertain him. Someone is stealing children, and the street kids whisper tales of a “Metal Man”. Ivana must find the monster, rescue the children, and if the earl really wants to help, he can come with her. Only, no one warned her she’d have to venture to places better left unexplored. A good thing, then, that the new Earl of Somer is a noted explorer. When the two of them join forces, what could possibly go wrong? 


Tuesday, September 15, 2015

The Gods Are Screwing with You

Posted by: R.L. Naquin
Ever since I was a little girl, I’ve been fascinated by Greek mythology. Now that I’m an adult, I’m also a fan of Greek yogurt, the architecture of Greek Orthodox churches, sandals, olive oil, and the movie Grease. Sadly, I’m not allowed to move to Greece, because I’m not crazy about olives. Or fish. But spanakopita is pretty awesome, so there’s that.

My new series, the Mt. Olympus Employment Agency takes all the Greek mythology I’ve been absorbing since before I thought boys were interesting and spits it back out into something weird, crazy, and perfectly ordinary, all at the same time.

No, that’s not true. I never thought boys weren’t interesting. Let’s just say, I’ve been absorbing mythology for a long time.

I love the magical creatures myths bring. I love the faraway places and exotic cultural habits. But most of all, I love how Greek gods act so human. The only difference between them and us is their power. They cavort with humans in nearly every story, usually to the detriment of the poor humans who became involved—willing or not—with a god.

I’ve taken this idea of the power the gods have over humans and modernized it. As humans, someone is always in power over us. When we’re children, it’s parents and teachers. Then we grow up, and the government and our employers hold the power. Someone will always be there to tell us what to do and how to do it.

In my Mt. Olympus series, the gods are our employers. In the first three books of the series, we’re following Wynter Greene, who’s being forced—as a result of her own poor life choices—to work at Mt. Olympus in the Muse department. It’s not an easy job. But behind the scenes, someone is constantly screwing with her. Even in my modern, shiny world, the gods won’t leave humans to live their lives undisturbed.

Now that we’re in book two, she’s tootling around the Underworld in a golf cart running errands for Hades. And the gods are still messing with her life.

Because that’s what the gods do. And why not? They’ve been around for thousands of years with little changing from day to day. You can only eat so much ambrosia, and there’s no vacation from making the sun and moon rise and set ever single day. What else is there to do?

Humans are endlessly amusing.

Rachel writes stories that drop average people into magical situations filled with heart and quirky humor.

She believes in pixie dust, the power of love, good cheese, lucky socks and putting things off until the last minute. Her home is Disneyland, despite her current location in Kansas. Rachel has one husband, two grown kids and a crazy-catlady starter kit.





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Monday, September 14, 2015

Here Be News

Posted by: Unknown

Author News

Nicole Luiken will be launching her YA fantasy novel THROUGH FIRE & SEA at Happy Harbor Comics in Edmonton, Alberta, Canada 2-4 p.m. Sept. 19. 


Find more information here.

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***

Cover Reveals

Unamused Muse, book two in the Mt. Olympus Employment Agency series. Coming November 17 from R.L. Naquin.


Wynter Greene, newly minted Muse at the Mt. Olympus Employment Agency, is on loan for six weeks to Hades, CEO of Underworld, LLC. Not a bad gig, if she doesn’t mind running errands across the River Styx. She hardly ever has to clean up after the three-headed dogs that guard the front gates. But she could do without so many people eager to fix her up on what literally amount to blind dates from Hell. 

All Wynter wants to do is get her six weeks over with so she and Phyllis, her talking plant, can go home, and she can go back to work inspiring people. If she can keep from screwing up on this job, she’ll get a clean slate at Mt. Olympus. 

Stripped of her Muse title, Wynter discovers she still can’t stop herself from inspiring people, even when the people she’s encouraging are supposed to be trapped in eternal torment. 

Not the best way to win points with her new boss.


New Releases

Angela Korra'ti announces the re-release of her short story "The Disenchanting of Princess Cerridwen"! This is a glimpse at the backstory of a character who's critical to the Rebels of Adalonia books — and what happens when a human village is caught in an eruption of wild magic.

"Cerridwen" is a Kindle exclusive for the next 90 days, and can be found on Amazon here! It will be available for free from 9/15 to 9/19!

Sunday, September 13, 2015

Myth meets Imagination

Posted by: Cindy Spencer Pape

I love playing with mythology when I'm writing. You see a lot of Greek and Roman, even Norse mythology mixed into books--in Sea Change, I even have Dionysus bartering with a Valkyrie. But in Beltane Lion, my story in the upcoming boxed set, Entice Me, I stick a little closer to my own roots and play with British mythology, most specifically with the Ballad of Tam Lin.


I should note that Beltane Lion was published several years ago as Beltaine Bargain but there is new material in this version, and I think it works better overall. I was a very new author then.

So who is Tam Lin? The oldest known versions of the story are Scottish, although I believe the Irish and other Britons may claim it as well. Tam, a variant of Tom, was a young man who liked to lurk in the woods and seduce pretty women near a place called Carterhaugh or Carter Hall.

O I forbid you, maidens a',
That wear gowd on your hair,
To come or gae by Carterhaugh,
For young Tam Lin is there.
- opening verse of Tam Lin, Child Ballad 39A

One day he messed with the wrong woman, the Queen of Elfland, who decided to punish him by taking him home with her. Or in other versions, she caught him when he fell off his horse. Now, not fully human, not fully elf, he still hangs out in the forest stealing maidenheads.

When young Janet, or Jennet in some versions, meets him, falls for him, and winds up pregnant, she goes back to him and he tells her the secret to setting him free. On Halloween, when the fair folk ride, she must pull him from his horse and hold on, no matter what the Queen turns him into--be it a snake, a lion, or a flaming brand. Jennet does as she's told, holds on, and doesn't let go. The Queen's dominion over Tam is broken, and he's human again, able to marry Jennet.

There's more, of course, but here's a neat website with a lot of collected information. http://tam-lin.org/
One reason I like this one so much is that it has a happy ending, and it other is that the happy ending comes about through the woman's strength and courage--not all that common in myths!

***

Entice Me, with stories covering a huge range of romance genres by Marianne Stephens, Rose Anderson, Jean Hart Stewart,Janice Segraves, Denyse Bridger, Gemma Juliana, Paris Brandon, Cara Marsi, and of course, moi, goes on sale October 10.

(drawing of Tam Lin is in the public domain, info here.)
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