One of the cool things about
being a kid is that fresh start every fall. New school supplies, new teachers,
new classrooms, new textbooks. A world of new possibilities. As a grown-up, you
can wake up one morning and realize that you’ve been in the same job and the
same house for over a decade, though both were intended to be temporary
measures to see you through until you got to where you really wanted to be.
When you’re writing a series,
it’s important to keep that Fall-fresh-start feeling for each book. No matter how great the characters, the
setting, the rising tension, it all starts to fall flat for the reader after a
few books if nothing changes. I’m sure
we can all name series with good, sometimes great, writing that lost us because
after a while the stories seemed all the same. The details and the names of the
villains might change, but each sorcerous battle followed the same rhythm, the
hero was always running for his life at the same point in the story and fell in
love with the same type of woman who left him for the same reason at the end of
the book. Worse, the protagonist shows no growth or change from book to book.
We also know series that hold our
interest for book after book, season after season. Harry Potter took the world
by storm and held it for seven books and beyond. It’s a great example to start
with, because it actually follows the pattern of the school year. There's been
a lot of comment about the sameness of the books, since each starts with the
school year, generally with someone in the wizarding world rescuing Harry from
the Dursleys and taking him to Hogwarts. Each ends with the end of the school
year, and there’s at least one attempt on Harry’s life in between, usually
toward the end of the year. When you
look more closely, though, there are a lot of changes from book to book to keep
the world fresh and new. The challenges faced in the Tri-Wizard tournament are
vastly different from those Harry faced in the year Umbridge came to ‘fix’ the
school. The bleak, dystopian world of the last book was another thing entirely,
and most of it did not even take place in the school. More importantly, Harry
is growing from a child to a young man, year by year and stage by stage.
Not all growth of a series
character is quite so literal. One of my favorite up-and-coming urban fantasy
authors is R. L. King. Even though the books of her Alastair Stone Chronicles have plenty of sorcerous battles
involving demons and other such entities, they are saved from being mere
shallow action/adventure stories by the care that she takes with her character
development. Even though her character is in his mid-thirties, he does a fair
bit of growing in terms of learning to accept, and then to enjoy and even rely
on, close friends within his circle. He also discovers that the
responsibilities that come with taking on an apprentice bring their own
rewards.
I’ve had plenty of opportunity to
think about new beginnings with my own Ravensblood
urban fantasy series. My protagonist started out the series ready to change his
life or die trying. Literally. He leaves behind the life of a dark mage. In the
second book of the series, adapting to a new life is more difficult than he
anticipated, especially when some powerful people aren’t ready to believe that
he has really reformed. In the third book, he is a little bit further along but
still finding his footing—while trying to protect the people close to him from
the vengeance of the former master he had betrayed and left for dead.
Raven’s Vow is the fourth book of the series, and will be officially
released tomorrow. It challenged me to find a fresh turn. Raven has reconciled
himself with his past and settled into his new life. But there are always new
bars to be met as he learns to mentor others trying to find their way back to
the light while fighting to save his new family from the shadows of someone
else’s path.
What about you? What fresh
challenges are you facing this season?
Author website: www.Shawna-Reppert.com
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