Wednesday, March 15, 2017

Shamrocks and Clovers - Are you feeling lucky?

Posted by: Dani Harper, Author
When I was a kid, I used to hunt for four-leafed clovers in the belief that they brought good luck. I didn’t know then that one was only considered lucky if you found it by accident – the clover was useless if you looked for it on purpose! No wonder I didn’t get the pony I was hoping for….

The ancient Celts of Wales carried sprigs of clover as a charm against evil spirits, particularly faeries. The clover might be tucked in one’s hat. Or multiple clovers might be sewn into a tiny bag and hung around the neck. This would enable the wearer to see through faery glamor – but it would only work once for each clover that was in the bag.

The faeries couldn't hide from you if you were
carrying a four-leaf clover.
Photo licensed from Bigstock.com
Druids esteemed the four-leafed clover as a source of protection, because holding one would allow you to see not just faeries, but many other supernatural creatures. A salve was sometimes made of four-leafed clovers and applied to the “third eye” area of the forehead, to bring out psychic abilities. And in the Middle Ages, a four-leafed clover worn inside your shoe was believed to lead you to either love or treasure! (If you put one in each shoe, did you find both?)

Both shamrocks and four-leafed clovers come from the 
same plant: Common White Clover (Trifolium Repens).
Photo licensed from Bigstock.com

The four-leafed clover is a symbol of good luck in many countries, but is most often associated with Ireland. The Irish claim that they have more of them growing there than anywhere else in the world. Maybe they do, since BOTH traditional Irish shamrocks and four-leafed clovers come from the very same plant:  Common White Clover, also known as Dutch Clover (Trifolium Repens). That’s right, it’s the same stuff that sometimes takes over the lawn on this side of the Atlantic. Irish botanist Caleb Threlkeld verified this when he wrote about Trifolium Repens in his 1727 book about local flora: “This plant is worn by the people in their hats upon the seventeenth day of March yearly.”

True, there are some pretty potted plants sold around March 17th that claim to be official shamrocks, but they’re usually oxalis or wood sorrel. The leaves occur in a variety of colors, but apparently aren't brimming with good fortune. (I enjoy them anyway.)

The shamrock and the four-leafed clover are both
commonly associated with Ireland.

Photo: Public Domain
The Irish word for shamrock is seamróg, referring to the trefoil leaf of the clover plant. St. Patrick allegedly made it famous by taking an ordinary three-leafed clover and using it as a metaphor for the Holy Trinity: Father, Son and Holy Ghost. This is an excellent example of Christianity adopting – and changing – the symbols of ancient pagan faiths. The three leaves had previously been known as the three phases of the Goddess – Maiden, Mother and Crone!

So why are there four-leafed clovers if clover naturally has three leaves? Long thought to be a simple plant mutation, scientists have now found a recessive gene for the anomaly. In fact, there are no known limits as to how many leaves a clover can have. According to Guinness, the world record for the most leaves on a clover stem has been held by Shigeo Obara of Japan since 2002 when he discovered a clover with 18 leaves. He bested his record a few years later with a 21-leafed clover (see photo on this site - http://yeinjee.com/21-leafs-clover/). And in 2009, just before Obara died, he was credited with finding a clover with no less than 56 leaves!!!

Rabbits LOVE clover.
I wonder how many four leaf clovers
this little guy has eaten?

Photo licensed from Bigstock.com
In Ireland and a few other places, a clover bearing more than four leaves is said to bring BAD luck. In other countries, however, there are different meanings according to leaf number:
  •      Two-leafed clover = love
  •      Four-leafed clover = luck 
  •      Five-leafed clover = attracts wealth
  •      Six-leafed clover = fame
  •      Seven-leafed clover = long life

So just how rare are clovers with more than the standard three leaves? Estimates place them at about one in 10,000 when naturally grown. Because the four-leafed clover is such a well-known symbol of good fortune, an entire industry has sprung up around them. You can buy genuine four-leafed clovers pressed between glass, embedded in resin, made into jewelry etc. But to get enough of them, some horticulturalists have refined the clover plant using the newly-discovered genes. In their specialized plots, four-leafed clovers occur about once in every 41 plants!

However, the luckiest man in the world just might be Edward Martin Sr. of Alaska. Guinness certified Martin's collection of 111,060 four-leaf clovers in 2007, and it's reported he has well over 160,000 now! 

(See how all those clovers were counted in this article in the Peninsula Clarion News - http://peninsulaclarion.com/stories/061307/news_0613new003.shtml#.WMcP2zsrI2w )



>>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<

I grew up on Celtic faery stories. Not the ones where faeries are tiny beings with delicate wings, and as sweet-natured as they are pretty. Nope, I teethed on the ones where faeries come in every shape and size. Dark or light, terrifying or beautiful, sensual or cold, indifferent or cruel ... all are dangerous!

My Grim Series is based on one of my favorite fae legends (with thanks to my Welsh grandmother). The Grim is also known as the Black Dog, and his role is to act as a herald of death and misfortune. But how did he get a job like that? And what if he doesn't want it?

Check Amazon for STORM WARRIOR, STORM BOUND, and STORM WARNED


Watch for the upcoming release of STORM CROSSED, Book 4 of the Grim Series!

Tuesday, March 14, 2017

Two Truths and a Lie -- New Release and Excerpt

Posted by: PG Forte
Two Truths and a Lie releases tomorrow. It's a little bittersweet for me. I'm not used to having an entire series release so quickly--book one only came out a month ago--and it was so much fun writing these characters--and revisiting my Jersey Shore days--that I'm sad to see it end.

I suspect there will be more Atlas Beach stories in the future, but for now the trilogy is complete.

Blurb:

All work and no play has been the story of Brenda Donovan’s life for the past few months. Concerned about the future of her family’s inn, she’s been searching for a buyer for the business—without her cousins finding out what she’s up to. She has no time for relationships. But pretending to date sexy Max Murphy, the hotel scout who’s there to assess the property? That’s totally doable. Especially when games, role-playing, and light bondage are included in the package. Falling in love was never supposed to be part of their deal, however, and now her heart’s in play.


Max has no problem with hiding his true identity from Brenda’s cousins. But are they the only ones he’s deceiving? When all is finally revealed will the cousins lose the Wild Geese Inn? Or will they add another member to their growing family?

Loose Id: http://www.loose-id.com/games-we-play-3-two-truths-and-a-lie.html


Amazon: https://www.amazon.com/Two-Truths-Games-Play-Book-ebook/dp/B06XKHJPDX


Excerpt:

After dinner, as they were leaving the dining room, Max paused in the entryway. “So I’ve been hearing about this famous kissing stone of yours. Since we’re ‘dating’ now, shouldn’t we uphold tradition?”
That damn stone. Brenda sidestepped quickly to avoid it. “I have no idea what you’re talking about.”
“I’m saying that I’d like to kiss you.” He glanced at the floor. “Isn’t this where we’re supposed to stand? Isn’t the tradition that you kiss your lover here if you want the two of you to be together forever?”
“We’re not lovers.”
Smiling, he reached for her hand. “I’m hoping that’s about to change.”
So was she. She didn’t try and stop him as he twined his fingers with hers, but when he tried to pull her close, she balked. Nope. Not happening. “I don’t know who you’ve been talking to, Max. But you shouldn’t believe everything you hear.”
Max slanted her a skeptical look. “It’s your family’s legend, isn’t it? Won’t it look strange if you don’t kiss me?”
“No, actually. It would look much stranger if I did. It might be my family’s legend, but anyone who knows anything about me knows I don’t believe in that nonsense.  Never have.”
“Never?” he asked, an unexpected note of challenge in his voice. “Not even when you were younger?”
“Oh, well.” Brenda shrugged dismissively. “Sure. I believed in Santa Claus once too.”
“Then you grew up and ‘put away childish things’ as they say?”
“Exactly.”
“Ah, c’mon. You’re not really that cynical, are you?”
“How is that cynical? I’m just being an adult.”
“Adulting isn’t all it’s cracked up to be.”
Brenda was starting to get annoyed. “Maybe not. But someone has to do it.”
“But not all the time, right? Don’t you ever want to take a break from it all?”
Do I? “You have no idea how much.”
“Why don’t we play a game? Just for one night.”
“What kind of game?” she asked, intrigued despite herself. She couldn’t remember the last time she’d played anything. Maybe that was part of her problem?
“Let’s make believe we’re lovers who are carrying on a secret affair. We’re here for the week, we’ve just had dinner, and now we’re on our way back to our room to make love.”
He was here for the week. They had just had dinner. Two truths. Brenda frowned. That weird sensation of having been here and done this all before was back, stronger than ever. Was this still just part of their cover story? “You know my cousins are never going to believe something like that, right? We only just met.”
“This has nothing to do with your cousins. This would just be for us. Haven’t you ever role-played?”
“Not really, no.”
“No,” Max repeated. His smile had a bitter edge. “No, I guess not. You’ve probably never felt the need to be anyone but yourself your whole life.”
She really hadn’t. At the moment, however, she was kind of liking the idea. If she were someone else, maybe she wouldn’t feel so weighted down by responsibility.  She wouldn’t have to calculate the consequences of every action, or worry how things would end. She could have fun. She was a little surprised at how unexpectedly exciting that seemed. When had her life become so endlessly dreary? “So how would something like that start?”
Max smiled. “Like this, I think.”
He tugged on their joined hands, used his other hand to cup the back of her neck, and pulled her close. This time she let him.
It’s just a rock, Brenda reminded herself. Just a random block of inert minerals. It’s no different from the rest of the floor. There’s no such thing as magic—no spells, no curses, no fucking enchantments. I’m only doing this to prove to myself that kissing him means nothing. Absolutely nothing.
All the same, she could feel herself trembling as he slanted his mouth over hers, as though an icy-cold wind had swept over her. And when their lips touched, she was rocked by something. A shock of recognition. A feeling of completion. Total nonsense, she was sure; just the product of her overactive imagination. But if the sharp intake of his breath was anything to go by, it had just hit them both. What was that anyway? The touch of a ghostly hand? A harbinger of destiny? An echo from the past? Or something completely prosaic—like the draft from an open door?
Her money was on the door. But all the same, fear had her on the verge of pulling away until Max wrapped an arm around her waist. He held her in place, blocking her flight. He cradled her skull as he deepened the kiss, and she was lost. Nothing had ever felt this right. She slid her arms around his waist and kissed him back, and it didn’t even matter where they were.
On the stone, in the restaurant, with a dozen people or more watching. Are you fucking kidding me?
Maybe there was something special about the stupid stone. Because she’d only ever felt like this once before—the last time she’d kissed someone here.

Copyright © PG Forte

Monday, March 13, 2017

Here Be News

Posted by: Unknown
New Release

TWO TRUTHS AND A LIE
 Games We Play, Book 3

Releases Tuesday March 14th

Brenda's relationship with Max is a sexy sham designed to keep her cousins from learning of her plans to sell their family's inn. Falling in love for real? That was not supposed to happen. 





Other News

Now Available as an Audio Book!

POSSESSION
Paranormal/Urban Fantasy Romance 

by Linda Mooney
Narrated by Guy Veryzer
Length: 7 hrs, 4 min.


Hear a Sample 

If you were murdered by a stranger, wouldn’t you want the chance to be able to come back and find out who killed you? And why?

J was born blind, but she could "see" things. Her gift has always helped the police find such things as missing persons, serial killers... a ghost or two.

Detective Kiel Stark has worked homicide for eight years, but he has never met this mysterious Seer his fellow officers claim could almost perform miracles. Not until a gruesome triple homicide has his superiors calling in the reserved woman to help with the case.

Now Stark is faced with a double threat. Not only is he finding himself dangerously attracted to the enigmatic beauty, but she could very well discover his own carefully guarded secret—a secret that could bring an end to his career, his way of life, and any future he had hoped to have.


Warning!  Contains disturbing images, the living dead, revenge gone wrong, drug deals gone bad, and two people facing an impossible love without any chance for a future. 

Excerpt and buy links.


EPIC eBOOK Award Finalist!

Veronica Scott's Lady of the Star Wind has been chosen as a Finalist in the EPIC eBook Awards for the scifi romance category. On sale now for $.99 to celebrate the award!

The story: 
Are they merely luckless lovers … or a legend come back to life?
Mark Denaltieri, ex-Sector Special Forces, has been hired by the Outlier Empress to rescue her granddaughter, Princess Alessandra, from kidnappers. Since the Empress once had him tortured and banished, she’s the last person Mark wants to work for. But he takes the job. He’ll save Alessandra, his first love, and discover why she didn’t speak for him when he desperately needed her. Then he’ll be on his way, finally free of his past.
Alessandra would rather her rescuer was anyone but Mark–after all, he let her believe he was dead all this time. But when the couple are forced to flee her captors by Traveling via a strange crystal globe, they find themselves in a lovely Oasis on a desert planet, the old attraction sizzling between them again.
They soon discover they are far from alone. The Oasis holds the entrance to another world, one in which the inhabitants are convinced Sandy and Mark are the Lady of the Star Wind and her Warrior, come to free them from an evil Queen.
Mark and Sandy must work together to unearth an ancient mirror, and crown the true king of this land.  Can they fulfill the prophecy of the Lady and her Warrior … and this time, will their love survive the test?
Buy Links:  iBooks     Amazon    KOBO     Barnes & Noble

Saturday, March 11, 2017

Top 10 Reasons Why I Write Historicals

Posted by: Ruth A Casie
Years ago, and I mean YEARS ago before ebooks, I did a lot of international travel for business. But I can remember my first trip overseas very clearly. It was a two week trip to five European cities. I brought six novels thinking I would catch up on my reading—there never seemed to be enough time at home with three small children. I finished one and a half books before I landed.
  

I know, how could I leave them? It wasn’t easy. My days were filled with client calls with the local bank directors, but most late afternoons, evenings and the weekend I was on my own. I filled the time with walking tours of the city, sometimes in groups other times using the track provided by the hotel.
Each time I came face to face with history; the Grand Place in Brussels, the Place de la Concorde in Paris, and HamptonCourt in England. As I went on to the different cities I tried to hear the sounds, smell the aromas, and see the sights from a different perspective, a different time. Stories by Julie Garwood, Jude Deveraux, Johanna Lindsey and Lynn Kurland had me enthralled along with Clive Cussler.
I know, he's not exactly romance but his Dirk Pit stories always start with some historical fact or thread that's crucial to solving the mystery. I read my books at night and visited places where I could imagine the stories unfolding. 

I promised you a list of reasons why I write historicals. Here it is:

  1. I LOVE history. I’m captivated with the past. Sometimes I think I was meant to be born in another time.
  2. I like research. Even if I have a detailed outline of my story I find I’m researching while I’m writing. If I’m not careful I can easily get distracted for hours. I’ve even taken classes, how old manuscripts were made and how to transcribe them from Stanford University. Witch Craft in the Middle Ages from the University of Barcelona. It goes back to enjoying history. 
  3. Historical facts mixed with chivalry and magic made the most compelling stories to me. The romance of the middle ages and Renaissance with their knights and princesses and their myths of druids, fairies, and fae tossed in for good measure all drew me in.
  4. I enjoy reading how people reacted and solved issues in their time. Things we take for granted today were challenges in earlier times. Just think about travel, washing clothes and cooking.
  5. I like to read stories where women push the limits of their time and how people around them, especially the men they love respond. I don’t enjoy reading a story where a woman is the victim unless she rises to the challenge and becomes the true heroine of the story.
  6. Time travel stories and the ability to change the past, protect the future, or simply experience a different time made all things possible. Personally, I want my fiction based on fact but I don't necessarily want the cold truth of reality. I know that history doesn't always end with a happily ever after but taking a little poetic license to alter history just a bit to make it all work out is what I enjoy reading. 
  7. I’m a romantic. I love reading about the courtship rituals of the past and comparing them to today. I was really surprised when I researched medieval romance and found that many of the established courtship rituals up until the 1950’s were based on the Medieval and Renaissance periods. It made me love knights in shining armor all the more!
  8. I enjoy exploring human emotions, figure out motivations and how they can be so similar to motivations today.
  9. Like Mary Jo Putney, I believe historical stories have a mythical element you don’t find in contemporary stories. There is a license to exaggerate, as long as the situation is plausible, with risks that reach beyond limits, and men that are bigger than life.
  10.  After years of writing marketing and product information for an international bank, which was anything but creative, I thoroughly enjoy creative writing. It is such a wonderful outlet for all the stories and characters that run around in my head.
Why do you write or read historicals? I would love to know.



Thursday, March 9, 2017

The Plan of Arting

Posted by: CobraMisfit
When I first started the journey to become an author, I sought a great deal of advice from both established and would-be writers. How did a person sit down an write 5,000, 25,000, even 105,000 words?

The answer?

Everyone does it different.

Well, that's not helpful, I thought.

But the more I studied the profession, the more I came to realize that they were right. Everyone writes a story in a completely different manner. There's no singular path to this art, which is part of the magic. As such, we're free to find our own ways from dreamer to doer. For me, those "ways" were ingrained in me from my previous career and have helped me overcome many writing-based speed bumps. Consider them nothing more than one person's take on how to plan for arting:

1) Make a Plan: 

"In preparing for battle, I have always found that plans are useless, but planning is indispensable." -Dwight D. Eisenhower


Planning is, at its core, one of the most crucial skills a writer can learn. Some people have the ability to write 100,000 words from the seat of their pants, but for many (myself included), we need a plan. An outline. A guide to get us from Point A (the blank page) to Point Z (the celebratory glass of wine after typing The End).

Planning also helps you think through the "What If's". The first time you do this, you're just spit-balling. "What if my computer dies? What if my plot stinks? What if there's a chandelier on stage?" But each time you plan another story, you apply the lessons learned from the previous attempt. Eventually, your plans become a little more refined and a little easier to follow.

For me, it starts with an over-arching concept. What is the point of the story? Who are the main characters? And, most important, what is it I want the reader to get out of this by the end? From there, I do some reserve-engineering, asking myself "what was required to get us to here? Okay, how about before that?" And so on. Once the basic plan is in place, I'm ready to fire up my writing program and start hammering out the words.

2) Understand Your Plan Is Just That: 

"No battle plan ever survives contact with the enemy." - Helmuth von Moltke the Elder.

Always have a good Plan A. Then have an even better Plan B. Make sure Plans C and D are roughed out as well, just in case. That was the advice I was given many moons ago and some of the best I've had to date. It helped me in my military career and has helped far more in my writing career.

Plans are great. They provide a solid foundation to operate from. But they're not set in concrete. Sticking to The Plan without an ounce of deviation may not always be the right answer, in combat or in writing. All the plotting, outlining, and framework in the world might not be enough to fix the fact that the plan itself is awful. Or that something popped up you hadn't planned for.

Normally I can get through the first chapter before enacting a massive change that makes Plan A completely obsolete. A character's name changes, a plot point becomes too outlandish or forced to work, an antagonists' motivation simply doesn't make sense. Stories, no matter how long or short, are living organisms. They adapt, grow, and mature the more we work on them, slowly evolving from bare bones to a full realized tale. Being willing to break from The Plan is vital for allowing the story to go where it needs to, which leads to the third critical artistic planning item:


3) Improvise and Adapt: 

"I'm a Marine. We don't plan, we improvise." - Sgt James Dunn, Most Wanted


Combat, like writing, is fluid. Both demand an ability to adapt and overcome situations that weren't in The Plan. For writers, adaptation often comes in the form of inspiration. Sometimes it hits early on. Other times its "midstream". One moment we're happily following The Plan, the next, we're down some rabbit hole of an idea. The next thing we know, everything leading up to that scene needs to be completely reworked. Being able to, and more important willing, to adapt when inspiration hits is crucial.

4) Lose a Battle to Win the War: 

"What you get by achieving your goals is not as important as what you become by achieving your goals." - Henry David Thoreau


Not every story is meant to be a best seller or a novel or even a completed manuscript. Sometimes they're merely stepping stones to the next level. Ask any author and they'll admit to having a ton of half-finished manuscripts that will never see The End.

But you know what? That's okay.

Each one of those stories helped refine their skill. They're the hammer and anvil that shapes the artistic sword, honing the author's understanding and ability. Each story started with a plan, sometimes a half-baked idea at best, but a plan none the less. And each one was ultimately trunked because it was a losing battle. But stepping away from that story, an artistically tactical withdraw if you will, is sometimes necessary. Not only does it allow you to focus your energy elsewhere, but you take the lessons learned from the trunked story and apply them to the next manuscript, then the next. Each time you get better at the process, hammering out imperfections, smoothing the blade. Then one day you look back at those early attempts and realize just how far you've come, how sharp your skills are now in comparison. And all because you planned, failed, and planned again.


Like Eisenhower said, plans aren't the crucial element with writing, but planning is. The process of developing a plan, then being willing and able to completely deviate from it are hallmarks of both successful tacticians and writers. Each time you sit down to write a story, you apply the lessons learned from before and use them to further refine your skill. Plan often enough and ultimately what you get isn't a perfect plan, but an artistic story that's the result of the planning process.





Bio:

Joshua Roots is a car enthusiast, beekeeper, and storyteller. He enjoys singing with his a cappella chorus, golf, and all facets of Sci-Fi/Fantasy. He's still waiting for his acceptance letter to Hogwarts and Rogue Squadron. He and his wife will talk your ear off about their bees if you let them.

His Urban Fantasy series, The Shifter Chronicles, is available wherever digital books are sold.

He's planning to do...something...eventually....




Wednesday, March 8, 2017

The long tail end of ebooks

Posted by: Shona Husk
With the recent closure of Samhain, which was one of my first publishers, I’ve been thinking about the life spans of ebooks.

The reason why this is on my mind is because I had 4 ebooks with Samhain which are now mine again. Do I rerelease them or let them die? The current wisdom is get them back out there as they can earn money, draw new readers and it’s all about the long tail.

But then I see the statistics about how many ebooks are uploaded to Amazon every day. It is a bookstore with literally millions of books as nothing need ever go out of print the way it once did. Which is a double-edged sword, as if nothing ever goes out of print how does one find the new stuff…but now I can read everything a favourite author has ever written.

Given how much the landscape has changed over the seven years I’ve been published, what will it look like in another seven years? How many books and ebooks will be available? It already feels like an avalanche. Yes, every snowflake (book) is unique, but how do you find the specific one you want?

Will anyone really miss 'Ruby’s Ghost' if I don’t republish it?

Would my efforts (and money) be better spent on cover art and editing for new works that I plan to self-publish? Putting out a quality product isn’t cheap. My writing has changed over the years and I’d like to think I’ve gotten better so the old stories do need a freshen up at minimum.

At what point is it better to remove old books…and surely at some point that has to be thought about because otherwise we will drown in the sheer number of ebooks available. I look at some of my books, and I look at their ranking and wonder if I should just let them slip away into the night and chalk it up to experience.

How do other authors feel about old books that have come back to them? Do you revise and get them back out there or let them languish?

As a reader how do you feel about books going ‘out of print’ when in theory ebooks never need go out of print?

What do you think the future holds for the burgeoning tide of ebooks?

Tuesday, March 7, 2017

10 Ways to Lighten Up All This Darkness Bombarding Us

Posted by: R.L. Naquin
Most people I know agree that last year was pretty rough on everybody. So far, 2017 isn’t being much gentler. The state of things in the world, money troubles, personal problems, medical issues…everyone seems to be walking under a dark cloud.

If you’ve ever read anything I’ve written, you know that I tend to mix a generous helping of humor into my work, no matter how dark it might get. Humor has always been one of the ways I cope with problems. Love, laughter, hope, and kindness will always win over all the negativity in the world. I believe this with all my heart.

So, with that in mind, today I want to share some ideas on how to push back against the dark clouds and let in some fresh air and sunlight. Just taking a break from ugliness for a little while can make a huge difference.


  1. Literally let in some fresh air and sunlight. Crack a window. Open the blinds. Go for a drive with the air vents on full blast if it’s too cold for a window. Take time to breathe.
  2. Temporarily unfollow people and pages on your Facebook feed when they’re a little too intense. Replace them with things that make you smile. Cat videos. Cheesy affirmations. Parks and Rec pages. Disney World live feeds. Whatever makes you happy. When you’re ready, you can always re-follow what you shut off. The point is to take a break, and sometimes a full media blackout is impossible.
  3. Grab a friend and find an adventure to go on. I highly recommend consulting http://www.roadsideamerica.com/ to plan a day trip. Go find the nearest giant ball of twine (there are several), a museum of wigs, or a headstone that’s written backwards. (These are all real things near me.) Go to the site, enter your town and find out what truly stupid and unusual things you can visit—often for free. I guarantee there’s something absolutely ridiculous within an hour’s drive of where you’re sitting right now. (If there’s an equivalent in other countries, I’d love for someone to drop it in the comments!)
  4. Do a stealth kindness. Pay for the next person’s coffee in the Starbucks line, pay the next car’s toll, or anonymously pay someone’s electric bill if you’re lucky enough to have the funds. Drop a quarter in an expired parking meter. Whatever it is, don’t wait around for thanks. Just knowing that you made someone feel good will make you feel good, too.
  5. Find a place to volunteer a little of your time. If you go to https://www.volunteermatch.org/ and search for your town, it’ll give you loads of opportunities to choose from. Good people doing good things could use your help to do even more good. That’s so much good, there’s no room for anything bad.
Need something quick and easy? Here are a few to keep you going until you can take a longer break:

  1. Cuddle an animal. (Preferably neither wild nor venomous.)
  2. Play with a child. (Yours or a friend’s. Don’t just go grabbing children.)
  3. Sit by yourself and color, build with LEGOs, scrapbook, play Angry Birds. (Whatever lets your mind drift.)
  4. Go to the gym or take an exercise class. (Hahaha! Just kidding.)
  5. Read books and escape to another place for a little while. (I suggest mine! Or books by any of the wonderful Here Be Magic authors. Or by ancient dead poets, your sixteen-year-old nephew, the mailman, your fourth-grade teacher, or your best friend from high school. As long as it makes you happy, read it!)


I know none of these things will fix the world or cure chronic depression. But they can bring something positive to the table. Every little bit helps, and love, laughter, hope, and kindness will always win in the end if you give them a chance. I promise.


Rachel writes stories that drop average people into magical situations filled with heart and quirky humor.

She believes in pixie dust, the power of love, good cheese, lucky socks and putting things off until the last minute. Her home is Disneyland, despite her current location in Kansas. Rachel has one husband, two grown kids and a crazy-catlady starter kit.

Sign up for her newsletter for news, extras, and exclusive stuff: Newsletter
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Buy her books here:  Amazon B&N Carina Press
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