Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Tuesday, December 22, 2020

Challenges in Writing Fiction & Non-Fiction

Posted by: Deborah A Bailey

 I've met a few fiction authors who have also wanted to write non-fiction books. Maybe because they want to share their expertise, or want to provide writing tips or some kind of coaching. It can be tricky when you want to go from one to the other. It's been a balancing act for me for many years. 

My first professional writing job was as a catalog copywriter for JC Penney, where I wrote about women’s fashions and toys. In that position I learned how to put a lot of description into a very small space. We were limited to 1 or 2 sentences of copy to describe an item. That included all the selling points the customer needed to know. To make it even more of a challenge, the copy had to be engaging and not just a list of features.

On the plus side, when you're forced to make every word count there's no room for fluff or filler. My copy had to sell the item to the reader. It had to catch their attention and provide all the information they needed to make a decision to buy. 

Writing lean is something I still do today. Which might explain why I tend to favor novella-length books when I write. Though I did write one book with over 100K words, that isn't my norm.

After several years in catalog copywriting, I changed careers into IT, which is about as far away as you can get from writing sales copy.

During my time as a computer programmer, I didn’t write any fiction, or non-fiction for that matter. During that time I put my fiction writing on hold. There was never enough time to focus on my interests outside of work, and being on-call took up a lot my leisure time.

What's really funny is that when I decided to transition into technical writing, I was once told by an HR person that I was "too technical to write." As though those years in IT somehow wiped away all my communications skills. 

Unfortunately I think a lot of people believe that it's hard (if not impossible) to bridge the gap between creative writing and non-fiction writing. That's obviously not true, though. I know of a few non-fiction authors who later decided to publish novels. So it is certainly possible to do both. 

As a technical writer my “voice” has to be more formal. Usually the passive voice is the way people in corporate communicate. But unless you want to put your readers to sleep, I wouldn’t recommend it for fiction.

Of course writing non-fiction books doesn't have to be like writing technical documentation. Non-fiction authors can, and do, write in very creative ways. But it can be daunting to go from writing one to the other. Not to mention that, just as I had with that HR professional, expectorations can end up discouraging the author who wants to do both. 

It can also be tough letting go of the passive voice, or the instructional one so that you can write fiction. So it never hurts to take classes (if you've only ever written one or the other) and to do free writing in order to find your own voice. 

What helped me bridge the gap between those two writing styles was to start a blog. At first my writing was quite formal, but in time I was able to loosen up a bit. At times it's still challenging, especially when I'm working on a book. It's not always easy to turn off my work laptop and forget all the technical items I've been working on all day. 

But I can say that blogging did help me when I wrote my first book, Think Like an Entrepreneur: Transforming Your Career and Taking Charge of Your Life. In fact, many of the blog posts ended up being included. Though at that time I was also writing and publishing short stories. 

My first published novel, Hathor Legacy: Outcast was rewritten about 3 times, which isn't exactly a bad thing. It took a while for me to get into the fictional world I was building, and let go of the more formal language I'd been using at work. Looking back, I don't think I was completely successful in letting go of the formal structure. But it taught me how to do better the next time around - which is always good. 

 To me, the big difference between fiction and non-fiction is allowing yourself to get lost in a character (and a fictional world). Sure, you can have creative non-fiction as well, but that's not what I'm referring to here. Business writing (even if you're a coach writing about personal experiences) still isn't the same as writing from a character's POV. 

But, if you enjoy writing and you do it regularly, I think you can find your balance between the two.  That’s how you get better at it. No matter what it is: short, long, non-fiction, fiction, poetry - just write it.  

Once you’re writing, you might find it’s not so much about striking a balance as it is finding the flow. Maybe by that point, it won't really be challenging at all. It will be a natural way for you to tell your stories and express the things you want to say. 


Wednesday, December 11, 2019

The ‘Lure’ of the Pirate Life

Posted by: Ruth A Casie


"In an honest service there is thin commons, low wages, and hard labor; in this, plenty and satiety, pleasure and ease, liberty and power; and who would not balance creditor on this side, when all the hazard that is run for it, at worst, is only a sour look or two at choking. No, a merry life and a short one, shall be my motto."  ~ The Words of Bartholomew "Black Bart" Roberts

Bartholomew Roberts was born in Wales and is considered the most successful pirate that lived during the Golden Age of Piracy which spanned from 1650 to 1722. He invoked terror and invincibility to all who crossed his path. Even his death shook the world. "The Blackest Day" marks his death, February 10, 1722 and the end of piracy's Golden Age.

Why did he or anyone for that matter become a pirate? The largest source of information is from court records although a review of personal memoirs and letters also provide valuable information.

During the early 17th century records indicate that almost three-quarters of a pirate ship crew was made up of seasoned seamen who previously served on merchant ships, warships, and even privateers.

According to historian David Cordingly Caribbean crews were made up of 35% English, 25% colonial Americans, 20% from the West Indies (Jamaica and Barbados primarily), 10% Scottish and 8% Welsh. The remaining 2% were from Sweden, Holland, France and Spain.
But, back to Bartholomew Roberts. What motivated him to become a pirate?

The Princess, the merchant ship on which Roberts crewed was boarded by Welsh pirate Howell Davis. Captain Davis gave The Princess’ crew few options. Sign on or die by outright execution or abandoned on a desert island. Roberts signed the charter.

Some sailors made a ‘career move’ from privateering to pirate. A privateer was an individual with a government commission who owned or officered an armed ship authorized to capture enemy merchant ships. In other words, a sanctioned pirate. War ‘encouraged’ people to become privateers, but once peace returned the privateers found themselves unemployed. These people had few ways of making a living. Privateering/Pirating was the life they knew and the financial benefits were still attractive. As a pirate all they pilfered they shared among themselves. Although the consequences were dire, execution, for them the alternative was dying of starvation, becoming a beggar, or a thief on land.

Bartholomew Roberts went off to sail when he was thirteen-years-old. He was 27 when he signed on with Captain Davis. Six weeks after he joined the crew, Captain Davis was ambushed and killed. Bartholomew Roberts had impressed his pirate mates. They took a vote for the Davis’ replacement and named him the new captain.

Reluctant to be a pirate, Roberts embraced his new position. It is believed that Roberts felt if he must be a pirate, it was better "being a commander than a common man." His first order was to attack the town where Davis had been killed, to avenge his former captain.

Pirates plundered ships and villages for their gold, silver, and jewels, but that wasn’t all. They also took clothing to barter and to wear. They kept those items that suited them either to wear at sea or as finery to wear ashore. There are records of pirates going to the gallows wearing velvet jackets, taffeta breeches, silk shirts and stockings.

Pirate captains were no different. They often dressed as a successful merchant, giving him the appearance of a gentleman.  Black Bart, as Bartholomew Roberts was now called, was the fashion leader of elegance among pirate captains. According to his crew he “dressed in a rich crimson damask waistcoat and breeches, a red feather in his hat, a gold chain round his neck, with a diamond cross hanging from it.”

Unfortunately, Black Bart’s fancy clothes did not make him invincible. He was killed in a broadside attack of grapeshot fired from the Royal Navy ship cannons tore out his throat. Obeying his standing order, his men threw his body overboard.

The greatest pirate of his generation, it’s estimated that over his three-year career, Black Bart took some 400 ships. He is not as famous as some of his contemporaries, Blackbeard, Stede Bonnet, or Charles Vane, but he was a much better pirate.

There were many reasons why Black Bart was successful, his personal charisma and leadership, his daring and ruthlessness and his ability to coordinate small fleets to maximum effect. Merchants feared him and his men to the extent that commerce came to a halt. Merchant vessels did not venture out of port when Black Bart and his men were about. He must have secretly been one of the Pirates of Britannia!

Now Available!

Deception and family honor are at stake – so is her heart.


Wesley Reynolds will do anything to avenge his family’s banishment from Dundhragon Castle even throw in with the notorious pirate, MacAlpin. His plan, ruin Lord Ewan’s trading network. He has a more devious plan for his father’s ‘best friend,’ the man who abandoned them at the eleventh hour. He’ll ruin the man’s most precious jewel, his daughter Darla. Wesley’s so close to ruining the trade network and succeeding he can almost taste it, but revenge is not nearly as sweet as Darla’s kisses.
Darla Maxwell, beloved by her parents has no prospects of marriage. Her father and Lord Ewan search to find her the right husband. Darla’s special gifts are frightening to many. She has visions that often come true. The murky image of a man haunts her, she’s sure it’s Lord Ewan’s soon-to-be son-in-law, but the vision morphs when she meets Wesley. The meaning couldn’t be any clearer to her, her destiny lies with Wesley.
When revelations surface indicating Wesley has been deceived and his revenge misplaced. Will he find the truth of what really happened to his family in time to stop the pirates? Will Darla ever forgive him? Will he ever forgive himself?

Amazon Free to Kindle Unlimited readers or on sale for $0.99

Who is your favorite pirate, Captain Blood, Captain Jack Sparrow, Long John Silver, Captain Hook (from the TV series) or anyone else? I’ve set anchor at RuthACasie.com or better yet, drop me a line at Ruth@RuthACasie.com

Friday, August 11, 2017

ARCHIVE: THE GUARDIAN'S WITCH An Interview with Lord Alex and Lady Lisbeth

Posted by: Ruth A Casie
Veronica: Ruth is traveling and unable to post today so she asked me to please share this fun character interview she did back in 2014.

Ah, there you are and just in time. Thank you for coming I knew you wouldn't want to miss this. We've pulled a real coup. Let me give you a little background before they begin. Our investigative reporter is about to hold an interview the hero, Lord Alex, and heroine, Lady Lisbeth, of Ruth A. Casie's book, The Guardian's Witch. I see they are about to begin. I'll fill you in on their story when the interview is over.


Reporter: (Facing the audience) Welcome and good afternoon. Today’s quests are Lord Alex Stelton, the exceptional knight who put his life on the line for the woman he loves. Also here is his extraordinary wife, Lady Lisbeth. She too was willing to risk it all--to save the man she loves.

Alex Stelton is the seventh son of Lord and Lady Stelton. Alex’s father is also a seventh son, an oddity that arises in the Stelton family from time to time. Lady Lisbeth and her younger sister, Laura survive their parents Lord and Lady Reynolds who were lost to us in a terrible carriage accident and their brother, Richard. Richard died valiantly on the Welsh battlefield.

(Turning to his guests) Thank you both for taking time to talk to us today. The first question I have is for Lord Alex.

Alex: Please, call me Alex.

Reporter: Certainly. Alex, what was your first impression of Lisbeth?

Alex: I’m embarrassed to tell you.

Lisbeth: He avoided me for weeks.

Alex: (Taking Lisbeth’s hand.) That’s not quite correct. You made it perfectly clear that you wanted no part of me. As a matter of fact I got a very clear impression that you would’ve been quite happy if I had disappeared like the others the king sent to protect you.

Lisbeth: Well, what did you expect? You came marching into Glen Kirk all proud and self-important just like all the others.

Alex: (Raising an eyebrow to his wife.) Did I now?

Lisbeth: (A bit contrite.) Well, maybe not exactly like them. (She pulls her hand away from his and faces him.) How was I to know?

Reporter: (Cough.) How did this disagreement start?

Lisbeth: He didn’t tell me for weeks.

Reporter: I beg your pardon. What didn’t Alex tell you for weeks? (Looking at Alex the reporter noticed him squirm, just a bit.)

Lisbeth: He didn’t tell me we were married.

Reporter: Married? I don’t understand?

Alex: Wait a minute, Love. You didn’t exactly make it easy.

Lisbeth: Love— (She shot Alex a glance that could turn him into a pillar of salt.)

Alex: (Alex faced the reporter) I won a bet with King James. If I held Lisbeth’s Glen Kirk Castle safe for one year it would be mine. Having an estate of my own has been a goal of mine for some time.

Lisbeth: (Foot tapping.)

Alex: (Rakes his hand through his hair.) After meeting my part of the bargain, I went to London to collect my winnings and ended proxy wed to Lady Lisbeth by order of the king.

Reporter: He what? And you didn’t tell her for weeks?

Lisbeth: (Folding her arms in front of her glaring at Alex.) Exactly.

Reporter: Perhaps we should move on. Lisbeth, I understand you come from a long line of healers and that you are quite gifted. My sources tell me you’ve used that gift to save Alex more than once.

Lisbeth: (A humbled look crosses her face.) Yes, I work hard to keep the people I love safe.

Reporter: (Shows Lisbeth a charm.) I understand you place these charms in the trees around Glen Kirk.

Alex: (Takes the charms from the interviewer.) My wife has a notion that the pretty bits shine and distract. (He gave the reporter a cold stare.)

Reporter: I understand there are rumors that your wife… uses incantations—

Alex: (Stands dragging Lisbeth with him.) This interview is over.

Reporter: (Obviously upset.) I’m sorry m’lord. I meant no disrespect to your wife or you. But sir, your wife’s special talents are common knowledge far and wide. It is to be honored sir, not reviled as some may think.

Alex: I clearly told your man that those questions were not to be asked.

Reporter: M'lord, Alex, this woman was ready to risk everything for you. She was in the midst of conjuring up the true criminal responsible for the treason for which you were accused. She was using her magic in front of the king and his court, all to protect you. Surely you know what a grave risk she was taking.

Alex: Don’t you think I know that. (Alex took his wife in his arms.) I cringe each time I think of how close she came to being judged a witch and the consequences that would have been metered out.

Lisbeth: Alex, (she pulls gently away from his embrace) come sit down. No harm was meant, surely you know that. (She pats his arm.)

Alex: (Regaining his composure.) I will not dwell on it, Lisbeth. I will protect you always.

Lisbeth: Yes, Alex. I wouldn’t have it any other way. But all here know who and what I am. There is no longer a need to hide that I am a witch.

Reporter: We have a little more time. Alex, I understand that your wife is very talented. Her dreams of the future appear to come true.

Alex: (He looks at his wife and does all he can to contain his smile.) My wife has many talents. Her dreams are--exceptional.

Lisbeth: Shhh Alex.(She leans close to him.) No one else will understand.

Alex: (Totally forgetting the reporter for the moment.) You call me into your dreams and we… Faith, (A smoldering look passes between them and he rakes his hand through his hair.) I want to spend the rest of my life in your dreams…

Reporter: Well, thank you both very much. (Pulling on his shirt collar.) Is it warm in here? (The reporter turns to the audience) You can find out more about Lord Alex and Lady Lisbeth in The Guardian’s Witch by Ruth A. Casie now available for their Nook or Kobo or Kindle. 

I hope you enjoyed the interview. Here's a brief overview and trailer for The Guardian's Witch.

England, 1290
Lord Alex Stelton can't resist a challenge, especially one with a prize like this: protect a castle on the Scottish border for a year, and it's his. Desperate for land of his own, he'll do anything to win the estate—even enter a proxy marriage to Lady Lisbeth Reynolds, the rumored witch who lives there.
Feared and scorned for her second sight, Lisbeth swore she'd never marry, but she is drawn to the handsome, confident Alex. She sees great love with him but fears what he would think of her gift and her visions of a traitor in their midst.

Despite his own vow never to fall in love, Alex can't get the alluring Lisbeth out of his mind and is driven to protect her when attacks begin on the border. But as her visions of danger intensify, Lisbeth knows it is she who must protect him. Realizing they'll secure their future only by facing the threat together, she must choose between keeping her magic a secret and losing the man she loves.





Do you have any questions for Lord Alex or Lady Lisbeth?

Wednesday, May 4, 2016

Missing Moms in Fiction

Posted by: Nicole Luiken


Looking through the list of eighty books I’ve read this year, I was struck by how few had mothers as main characters. Part of this is due to my reading choices: I like high-action novels, usually paranormal romances or SF/fantasy novels. Often a woman with child is seen as being unable to have an adventure—diaper-changing and battling demons don’t go together.

Here are the stats: 

Women who gain a child at the end of the book: (4) Eidolon, Fatal Deception, Of Noble Family, Gentleman Jole and the Red Queen
Women who have a grown-up child: (1) Gentleman Jole and the Red Queen
Women who have a child: (2) Voyage of the Basilisk, Alien in Chief
Fathers who have a child: (7) Stolen Luck, Entreat Me, Alien in Chief, Changes, A Line in the Sand, Wolfsbane, Sycamore Row
Child whose rescue was a plot point: (1) Changes
Novels where the main characters had no children: (68)

So fathers are still more likely to be main characters, presumably because it’s more socially acceptable for them to leave the kid with a caretaker and go off on an adventure. Interestingly, the two books I read with women who had a child (and used nannies) were characters who acquired the child mid-series.

I’m just reporting here BTW, not finger-pointing. Of my own novels, the only woman-with-kids character I can claim is Penny from Running on Instinct, who both has a little boy and is pregnant.

The phenomenon of missing moms is even worse in YA novels. 

Many mothers are simply dead. There’s a reason why Harry Potter is an orphan. Not only does he gain instant sympathy points, but he has no parents to turn to and thus has to solve his own problems—a key ingredient of a YA novel. I’ve written my share of orphans--Medusa Noire in The Catalyst and Johnny Van Der Zee in Frost—but it’s unrealistic to have every YA character have dead parents.

Also popular are missing moms or moms who are off-stage. Sometimes their mysterious absence forms the core goal for the protagonist, sometimes the protagonist is merely staying with another adult relative with the mom is off-screen somewhere. I freely confess to doing this in both Through Fire & Sea and Amid Wind & Stone.


Then there are horrible mothers. I've used that one, too. Mike, in my Violet Eyes series has dreadful foster parents and a large part of his character arc in Golden Eyes is dealing with his issues.

Much harder to pull off is a parent who is actually there and has a good relationship with the protagonist. Because if they’re a caring parent, why aren’t they helping their kid?

One strategy I’ve used successfully (in Dreamfire and Dreamline) is to give the mother a blind spot. She loves her daughters and is a good mother—but she doesn’t believe in psychic stuff and therefore is no help to the main characters and even stands in their way.

Another way to handle this dilemma is to make the mother powerless. Katniss Everdeen’s mother in The Hunger Games is a good example. There is nothing she can do to prevent the repressive government from taking Katniss away once her name is drawn.

Angel’s parents in my Violet Eyes series are similarly hampered. Because they are actors hired to play the role of her parents, they have no legal standing. If they protest and try to help Angel, they will be forcibly separated from the daughter they’ve grown to love.

Still, in all, I feel that there is room for more mothers in SF/fantasy and YA fiction. As a writer, I shall try to do better to represent them. What do you think?

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